This Tuesday, May 16, Gabriel Garzon-Montano is performing at The Crocodile in Belltown. Gabriel Garzon-Montano’s Jardin, released early this year, intricately melds together notes of soul, pop, hip-hop, and funk, ultimately creating a vibrant sound owned solely by him. Hailing originally from Brooklyn, Garzon-Montano’s interest in music was sparked in childhood by his mother, a musician in the Philip Glass Ensemble during the ‘90s. Though most commonly recognized as the creator of the sample featured in Drake’s Jungle (check out his original Six Eight), Garzon-Montano is so much more than that. Weaving together bright funk notes and unlikely time signatures, Garzon-Montano’s Jardin is a powerful collection of music that insights both introspection and pure dancing fun and will undoubtedly be a memorable experience live.
Easy going Mac Demarco has dropped his fourth album, This Old Dog. This follows his 2015 album Another One and shows his continued growth as an artist. Demarco is known for his laid-back demeanor, wanting to interact with fans directly, whether through his Official Fan Club or at shows. He’s given out his New York home address on the final track of Another One offering his fans a cup of coffee if they stop by. Since this, he moved to California at an undisclosed address and started working on his newest release. If you’re unfamiliar, you can get a better sense of his attitude through his music videos or social media posts.
This Old Dog doesn’t deviate much from Demarco’s easy, breezy sound found in his previous two albums, but displays a level of growth in songwriting and production. His lyrics are less cluttered than before and grapple with much more complex and adult themes, the largest being Demarco’s relationship with a largely absent father. He laments that he’s turning into his father on the first track “My Old Man”, closing the album with “Watching Him Fade Away” where Demarco says of his father’s illness: “the thought of him no longer being around/ well sure it would be sad but not really different”. It’s heart wrenching to hear about losing something that was never quite there and a stark contrast to previous songs such as “Ode to Viceroy”, an ode to Demarco’s favorite cigarettes.
Maybe it’s his shift towards these more adult themes that makes this album feel different from the previous ones. The sound hasn’t changed that much, although Demarco’s favored an acoustic guitar heavily this time around. This album also sounds more polished, more studio produced than previous demo-like moments from Salad Days or 2. He’s still the laid-back singer-songwriter but his sound is starting to explore a selection of other genres and influences. “A Wolf Who Wears Sheeps Clothes” feels folky with a harmonica and acoustic guitar while “One More Love Song” immediately after is funkier with heavier bass. However, he manages to do all of this and still sound like Mac Demarco.
This album makes for easy listening in true Demarco fashion. While it personally isn’t my favorite work from him, it still has great moments and is still a strong album.
Stream This Old Doghere and catch Demarco at The Moore Theatre September 10th or 11th.
Best Tracks: “My Old Man”, “Still Beating”, “One More Love Song”
COINreleased a whole new studio album, and it is exactly what I was waiting for. The new album, titled How Will You Know If You Never Try, was released April 21, 2017 and is COIN’s second full studio album. It includes the single “Talk Too Much”, which was released in 2016. Personally, I’ve been waiting for new music from COIN ever since they released “Talk Too Much”, the hit banger that brings a party with it’s awesome dance-worthy beat and melody. As soon as I heard “Don’t Cry, 2020”, the first song off the new album, I knew it was going to be just as entertaining as “Talk Too Much” promised.
The album flew by the first time I listened to it. Not every song on it is a hit, but a couple definitely stand out. “Boyfriend” includes funny elements of back and forth dialogue and features big drums and an upbeat tempo. “Lately II” starts slow, does an interesting pickup halfway through the song, and basically sounds like two different songs fit under one title. I was feeling the beat from “Feeling” and “I Don’t Wanna Dance”, which brought the cool guy vibes of “Talk Too Much” back to the album. As a bonus, I got Neon Trees vibes from the whole album, which I was definitely grooving with.
The chill, sweet tones of “Malibu 1992” was a good finish for the album, and I appreciated the nostalgic mood it set for the second listen through. COIN gained some popularity with the 2015 single “Run” from their first full album, self titled COIN. The new album capitalizes on this success and delivers with a few danceable jams and a solid overall album. COIN’s new music is worth a listen, so check them out.
Last night I saw Bastilleperform at the WaMu theater, just outside international district in Seattle. In a word, it was WILD (pun intended). I bought the tickets because a friend and I were (and still are) really into their newest album, Wild World. Also – it was her birthday, so, perfect gift. I wasn’t super interested in their older stuff, from Bad Blood, but there was simply no denying I’d heard it all before. It had been force fed to me by the various radio stations that played almost all their songs relentlessly. Bad Blood, particularly the track “Pompeii” was what made this band absolutely explode (yes, like the volcano). Bastille has some kick-ass merch, so naturally as soon as we got to the venue and I immediately bought a shirt from the merch stand, no regrets. You can find their merch here. With a belly full of hot Asian soup, bubble tea, and a new Bastille T-Shirt on my back – I was pumped to see them perform.
[As a side note – I was too busy buying merch that we missed the opener, Cosmo Mondo, but the drunken woman behind us assured me they were fantastic.]
If you haven’t seen the music video for their song “Fake It” you should watch it now, because it’s pretty important to several aspects of the concert.
Anyways, the newcaster guy from this video was displayed on the two huge screens on either side of the stage for about 20 minutes before Bastille took the stage. Essentially, it was just behind the scenes footage (although clearly staged) of this news caster being a pompous asshate to basically everyone in the studio. It was really interesting and gave a lot of context to the music video. There was a lot to read into here, but I know I’ll get carried away talking about it so I won’t even start.
When it was time for Bastille to enter, we heard “Pay attention to this breaking news” (or something like that) as the beginning of “Send Them Off!” began to play. Bastille stormed the stage and the concert was in full swing in a matter of seconds. They rocked, they destroyed really. Dan (the lead singer) had excellent control over his voice and completely blew me away. You can check out his vocal performance compared to the track performance here, and you’ll see there’s very little discrepancy. In my opinion, he was better live, Bastille as a whole was.
Between the amazing guitar solo (during “Four Walls”), the mesmerizing background, and the awesome sound of Bastille 20 feet away from you – I got lost. I took too many pictures, and I’m not normally one to take photos of a concert, I’m all about that “be in the moment” bullshit. But, they were so picture worthy. I was dancing and singing along, the concert lasted 2 hours and I loved every second of it.
Back to the background for a moment, did I mention it rocked?? Because it did, each song had its own really intriguing music video esque background to accompany it. Some of it was new perspective on their already released music videos, and a ton of it was new content. I couldn’t get enough of it. Again, so many ways to read into it… don’t even get me started. Basically justa huge amount of playful commentary on how the media and politics can destroy and mold us.
The concert ended with an awesome and emotional encore. The whole idea of encores seems silly and planned to me, so usually I find them superficial (not that I’m not thankful for the extra songs, but yeah). But, right before they played the last song of the set Dan told the audience that they’d be back, obviously, for the encore, so not to be worried. He commented on how silly it felt, but he had no choice. Awesome. Speaking of which, Dan (and the whole band) had great stage presence and audience interactions. At one point Dan walked right through the middle of the audience to the back of the theater… I tried to snap a picture, but I didn’t do a great job. I didn’t get close enough to actually see him. (Maybe you can spot him here in the middle of the spotlight somewhere)
When the lights came back on, the newscaster dude was back on the screens. And he FREAKED out. It was awesome. I can’t even explain how much commentary about the political and media climates there were, but it was a lot. And it was done perfectly, considering the Wild World album focuses a lot on the media and how our views can be shaped. I was sad to leave, but I wasn’t disappointed. Next time Bastille is here in Seattle you can be I’ll be there.
Foster The People have released three new singles from their upcoming full length studio album, and if these songs are any indication of what the rest of the album is like, I am extremely ready for it. The singles, collected in an EP called III, were released on April 27th, 2017. The band also announced a tour this summer to support the new album (sadly, they have not announced any Seattle dates). The EP includes the songs “Pay the Man”, “Doing it for the Money”, and “SHC”.
The three singles are reminiscent of their 2014 album, Supermodel, and have the same bursting energy and moving beats. Foster The People are still best known for their 2011 debut album, Torches, which won them a large fan base and a critical following due to the popularity of the singles “Pumped Up Kicks” and “Helena Beat”.
The riff in “SHC” reminded me of a sped up “Montanita” (Ratatat), and the distorted sound of all three singles had definite similarities to Tame Impala’s synthesized sound. “Pay the Man” included the interesting talking-rap elements that are drawn on in songs like “The Truth” and “Are You What You Want to Be?” (from Supermodel). “Doing It for the Money” had a much more youthful feel to it, and I liked this song the best of the three on the EP. The song seems to reject the notion that in order to be successful, an artist has to sell out. Instead, it speaks to fighting time and focusing on living in the present, and of the three singles has the most danceable beat.
The band is facing some criticism due to the similarities between the III EP cover and the album cover of Low Teens by Every Time I Die. The similarities are hard to deny; the two pieces of cover art are nearly identical in colors, placement, and font style. Every Time I Die commented on the EP art on twitter, but no action has been taken against Foster The People as of now. See the cover of Low Teenshere.
Keep an eye out for the new full length album, which is rumored to be called Sacred Hearts Club, and is set to be released June or July 2017. It’s going to be good.