Album Review: Dirty Projectors

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Dirty Projectors began a while ago as the solo project of frontman David Longstreth, before finding success as a full band with their blend of experimental yet accessible indie pop on albums Bitte Orca and Swing Lo Magellan. However, a new self-titled album finds Dirty Projectors returning to its solo roots under Longstreth. 

Dirty Projectors marks a change in style with its R&B inspired sound. Although I always appreciate artists trying new genres and changing up their music, some of these attempts work better than others. While there are many great moments on this album, a lot of it just does not seem to work so well; not totally unsuccessful, but lacking. 

“Keep Your Name” makes the new stylistic turn of this album immediately clear, with it’s distinctive distorted vocals a bit jarring on first listen. The track comes across a bit as a failed experiment, with the vocal changes (including a pitch shifted sample from their last album in the background) proving to be more irritating than anything. The lyrics feel pretty harsh, with lines such as “I don’t think I ever loved you” and “What I want from art is truth, what you want is fame.”

“Up in Hudson” has some great instrumentation, yet it is brought down by rather awkward, unsubtle lyrics that feel out of place, including “And we both had girl and boyfriends blowing us up SMS” and “Now I’m listening to Kanye on the Taconic Parkway, riding fast/And you’re out in Echo Park, blasting 2pac, drinking a fifth for my ass.” The chorus, however, is probably one of the high points of the album, and the strong outro to the song helps save it despite these earlier flaws. 

The remainder of the album is similarly inconsistent. While there are still great moments to be found, such as the refrain of “Little Bubble”, or the nice backing vocals from Dawn Richard on “Cool Your Heart”, other songs, such as “Work Together” just feel more annoying than anything else, with the overused effects detracting from the overall quality of the song. Some of the middle stretch of the album blends together a bit, with some less remarkable tracks. Although a bit disappointing in comparison to previous Dirty Projectors albums, it is by no means a bad album, with many strong moments on it despite some issues.

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-Noah Prince

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Slowdive new single: “Star Roving”

Legendary 90s shoegaze band Slowdive has returned with their first new music since 1995’s Pygmalion. Although the group reformed in 2014 for some live performances, they have not released any new tracks until now. 

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I’ll admit, whenever an older band releases new music after long periods of inactivity, I’m usually not expecting much, but Slowdive has such a strong track record of excellent music that I was cautiously optimistic when I heard they had been in the studio. 

“Star Roving” does not disappoint. While their last album had a more minimalist, ambient vibe to it, their newest track recalls the sound of their earlier releases with layers of fuzzy-sounding guitar and distorted vocals. The music in some places sounds reminiscent of the band’s old contemporaries Ride or Chapterhouse, although I was reminded on first listen of the more upbeat Yo La Tengo tracks. I had worried that any new music they put out would sound uninspired or derivative, as can sometimes happen with band reunions, but “Star Roving” shows the band hasn’t lost their songwriting abilities. Hopefully the quality of this track is reflective of any future music Slowdive may put out. 

Find Slowdive here: 

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-Noah Prince

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