Album Review: COIN’s How Will You Know If You Never Try

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COIN released a whole new studio album, and it is exactly what I was waiting for. The new album, titled How Will You Know If You Never Try, was released April 21, 2017 and is COIN’s second full studio album. It includes the single “Talk Too Much”, which was released in 2016. Personally, I’ve been waiting for new music from COIN ever since they released “Talk Too Much”, the hit banger that brings a party with it’s awesome dance-worthy beat and melody. As soon as I heard “Don’t Cry, 2020”, the first song off the new album, I knew it was going to be just as entertaining as “Talk Too Much” promised. 

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The album flew by the first time I listened to it. Not every song on it is a hit, but a couple definitely stand out. “Boyfriend” includes funny elements of back and forth dialogue and features big drums and an upbeat tempo.  “Lately II” starts slow, does an interesting pickup halfway through the song, and basically sounds like two different songs fit under one title. I was feeling the beat from “Feeling” and “I Don’t Wanna Dance”, which brought the cool guy vibes of “Talk Too Much” back to the album. As a bonus, I got Neon Trees vibes from the whole album, which I was definitely grooving with. 

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The chill, sweet tones of “Malibu 1992” was a good finish for the album, and I appreciated the nostalgic mood it set for the second listen through. COIN gained some popularity with the 2015 single “Run” from their first full album, self titled COIN. The new album capitalizes on this success and delivers with a few danceable jams and a solid overall album. COIN’s new music is worth a listen, so check them out. 

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Kenzie Wamble

Album Review: Dirty Projectors

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Dirty Projectors began a while ago as the solo project of frontman David Longstreth, before finding success as a full band with their blend of experimental yet accessible indie pop on albums Bitte Orca and Swing Lo Magellan. However, a new self-titled album finds Dirty Projectors returning to its solo roots under Longstreth. 

Dirty Projectors marks a change in style with its R&B inspired sound. Although I always appreciate artists trying new genres and changing up their music, some of these attempts work better than others. While there are many great moments on this album, a lot of it just does not seem to work so well; not totally unsuccessful, but lacking. 

“Keep Your Name” makes the new stylistic turn of this album immediately clear, with it’s distinctive distorted vocals a bit jarring on first listen. The track comes across a bit as a failed experiment, with the vocal changes (including a pitch shifted sample from their last album in the background) proving to be more irritating than anything. The lyrics feel pretty harsh, with lines such as “I don’t think I ever loved you” and “What I want from art is truth, what you want is fame.”

“Up in Hudson” has some great instrumentation, yet it is brought down by rather awkward, unsubtle lyrics that feel out of place, including “And we both had girl and boyfriends blowing us up SMS” and “Now I’m listening to Kanye on the Taconic Parkway, riding fast/And you’re out in Echo Park, blasting 2pac, drinking a fifth for my ass.” The chorus, however, is probably one of the high points of the album, and the strong outro to the song helps save it despite these earlier flaws. 

The remainder of the album is similarly inconsistent. While there are still great moments to be found, such as the refrain of “Little Bubble”, or the nice backing vocals from Dawn Richard on “Cool Your Heart”, other songs, such as “Work Together” just feel more annoying than anything else, with the overused effects detracting from the overall quality of the song. Some of the middle stretch of the album blends together a bit, with some less remarkable tracks. Although a bit disappointing in comparison to previous Dirty Projectors albums, it is by no means a bad album, with many strong moments on it despite some issues.

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-Noah Prince

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