Bleachers

I remember back in 2014 (or sometime around then) when Fun. announced they’d be going on hiatus, I was pretty distraught. Personally, I am a pretty big fan of the band, and I’ll patiently stay hopeful for their glorious return. It wasn’t soon after their hiatus announcement that I discovered Bleachers, whose front man, Jack Antonoff, was actually the drummer for Fun.! This was madness to me, but my love for Fun. extended to Bleachers, and I fell in love. Who put him on the drums? This guy can kill vocals! (Not that Nate Ruess couldn’t, God bless – check it)

Since the release of their first album in 2014, Strange Desire (which housed familiar hits like “I Wanna Get Better” and “Rollercoaster”) the artist had only released Terrible Thrills Vol. 2 way back in 2015. This album was a simple reprise of all the songs from the original Strange Desire, but sung by some pretty prominent female vocalists (Sia, Tinashe, Sara Barellies, MO, Elle King – to name a few). 

And now, in the magical year that is 2017 we have been blessed with all new music from Antonoff. The first of two singles (so far) “Don’t Take the Money” is somehow worth the three (two?) year wait. First, I’ll say that it definitely feels like summer. It also has a pretty wicked music video to accompany it, it’s pretty weird with a fun little twist – but, that’s not unusual for Antonoff considering previous music videos. Check it: 

Next up, we’ve got the latest release, “Hate That You Know Me”, which feels a bit like “I Wanna Get Better” as far as lyrical composition, but definitely departs from the more rock/punk feel that “I Wanna Get Better” throws out. Personally, it’s my favorite of the two to be released so far. I feel like it’s that track that everyone has been trying to write, but no one has done it just right. It takes the classic cliche “hate that you know me so well..” that you find in a lot of songs, and expands it into an entire track. 

Just right off the bat, the two songs really feel pre-2000′s with a nice modern twist all blended together with Bleachers’ mixed bag of rock, pop, and a little bit of heavy piano ballads. I’m excited for what’s to come – and you can bet you’ll find a follow up post.

The upcoming album “Gone Now” holds a lot of potential, and it’s three (two?) years in the making. You can find it dropping on June 2nd – get it while it’s hot. No doubt it’s gonna dominate the summer, ya know, sorta like “I Wanna Get Better” did? 

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Zach Krieger

Album Review: This Old Dog from Mac Demarco

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Easy going Mac Demarco has dropped his fourth album, This Old Dog. This follows his 2015 album Another One and shows his continued growth as an artist. Demarco is known for his laid-back demeanor, wanting to interact with fans directly, whether through his Official Fan Club or at shows. He’s given out his New York home address on the final track of Another One offering his fans a cup of coffee if they stop by. Since this, he moved to California at an undisclosed address and started working on his newest release. If you’re unfamiliar, you can get a better sense of his attitude through his music videos or social media posts.

This Old Dog doesn’t deviate much from Demarco’s easy, breezy sound found in his previous two albums, but displays a level of growth in songwriting and production. His lyrics are less cluttered than before and grapple with much more complex and adult themes, the largest being Demarco’s relationship with a largely absent father. He laments that he’s turning into his father on the first track “My Old Man”, closing the album with “Watching Him Fade Away” where Demarco says of his father’s illness: “the thought of him no longer being around/ well sure it would be sad but not really different”. It’s heart wrenching to hear about losing something that was never quite there and a stark contrast to previous songs such as “Ode to Viceroy”, an ode to Demarco’s favorite cigarettes.

Maybe it’s his shift towards these more adult themes that makes this album feel different from the previous ones. The sound hasn’t changed that much, although Demarco’s favored an acoustic guitar heavily this time around. This album also sounds more polished, more studio produced than previous demo-like moments from Salad Days or 2.  He’s still the laid-back singer-songwriter but his sound is starting to explore a selection of other genres and influences. “A Wolf Who Wears Sheeps Clothes” feels folky with a harmonica and acoustic guitar while “One More Love Song” immediately after is funkier with heavier bass. However, he manages to do all of this and still sound like Mac Demarco.

This album makes for easy listening in true Demarco fashion. While it personally isn’t my favorite work from him, it still has great moments and is still a strong album.

Stream This Old Dog here and catch Demarco at The Moore Theatre September 10th or 11th.

Best Tracks: “My Old Man”, “Still Beating”, “One More Love Song”

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Jessica Gloe

Album Review: COIN’s How Will You Know If You Never Try

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COIN released a whole new studio album, and it is exactly what I was waiting for. The new album, titled How Will You Know If You Never Try, was released April 21, 2017 and is COIN’s second full studio album. It includes the single “Talk Too Much”, which was released in 2016. Personally, I’ve been waiting for new music from COIN ever since they released “Talk Too Much”, the hit banger that brings a party with it’s awesome dance-worthy beat and melody. As soon as I heard “Don’t Cry, 2020”, the first song off the new album, I knew it was going to be just as entertaining as “Talk Too Much” promised. 

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The album flew by the first time I listened to it. Not every song on it is a hit, but a couple definitely stand out. “Boyfriend” includes funny elements of back and forth dialogue and features big drums and an upbeat tempo.  “Lately II” starts slow, does an interesting pickup halfway through the song, and basically sounds like two different songs fit under one title. I was feeling the beat from “Feeling” and “I Don’t Wanna Dance”, which brought the cool guy vibes of “Talk Too Much” back to the album. As a bonus, I got Neon Trees vibes from the whole album, which I was definitely grooving with. 

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The chill, sweet tones of “Malibu 1992” was a good finish for the album, and I appreciated the nostalgic mood it set for the second listen through. COIN gained some popularity with the 2015 single “Run” from their first full album, self titled COIN. The new album capitalizes on this success and delivers with a few danceable jams and a solid overall album. COIN’s new music is worth a listen, so check them out. 

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Kenzie Wamble

Foster The People’s New EP: III

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Foster The People have released three new singles from their upcoming full length studio album, and if these songs are any indication of what the rest of the album is like, I am extremely ready for it. The singles, collected in an EP called III, were released on April 27th, 2017. The band also announced a tour this summer to support the new album (sadly, they have not announced any Seattle dates). The EP includes the songs “Pay the Man”, “Doing it for the Money”, and “SHC”. 

The three singles are reminiscent of their 2014 album, Supermodel, and have the same bursting energy and moving beats. Foster The People are still best known for their 2011 debut album, Torches, which won them a large fan base and a critical following due to the popularity of the singles “Pumped Up Kicks” and “Helena Beat”. 

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The riff in “SHC” reminded me of a sped up “Montanita” (Ratatat), and the distorted sound of all three singles had definite similarities to Tame Impala’s synthesized sound. “Pay the Man” included the interesting talking-rap elements that are drawn on in songs like “The Truth” and “Are You What You Want to Be?” (from Supermodel).  “Doing It for the Money” had a much more youthful feel to it, and I liked this song the best of the three on the EP. The song seems to reject the notion that in order to be successful, an artist has to sell out. Instead, it speaks to fighting time and focusing on living in the present, and of the three singles has the most danceable beat.  

The band is facing some criticism due to the similarities between the III EP cover and the album cover of Low Teens by Every Time I Die. The similarities are hard to deny; the two pieces of cover art are nearly identical in colors, placement, and font style. Every Time I Die commented on the EP art on twitter, but no action has been taken against Foster The People as of now. See the cover of Low Teens here

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Keep an eye out for the new full length album, which is rumored to be called Sacred Hearts Club, and is set to be released June or July 2017. It’s going to be good. 

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Kenzie Wamble

I Swear I’m Good at This: the Debut Album from Diet Cig

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My fascination with Diet Cig started when I saw them open for The Front Bottoms and Brick + Mortar last year. At that time, they had one 5-song EP and two singles. Almost exactly one year later, they dropped their first full length album, I Swear I’m Good at This. Frontwoman Alex Luciano keeps it real with her audience and her unbridled honesty makes her lyrics so much more relatable. The opener of the album, “Sixteen”, details cringey moments of dating someone with the same name. Luciano addresses many relationship struggles and problems commonly encountered as one enters adulthood, or at least tries to. 

Among the sweet melodies and talk of relationships are discussions of heavier topics such as gender roles and consent. On “Maid Of The Mist”, Luciano spits out “I am bigger than the outside shell of my body and if you touch it without asking then you’ll be sorry”. Luciano may refer to relationships and seemingly mundane topics, but she remains feminist pop-punk and empowered. “Tummy Ache” and “Link in Bio” is where some of this feminist frustration boils over. 

Overall, Diet Cig nails combining a young innocence with ferocity and empowerment. They blend elements and themes together in a bubbly, dancy pop. I Swear I’m Good at This is an amazing debut album and I’m excited to see where they go from here.

You can listen to I Swear I’m Good at This here.

Diet Cig will be stopping by Seattle on April 28th at Barboza. If you’re able to attend, I highly recommend. The energy present in their music is multiplied by 10 at their live shows. Luciano jumps, kicks, and is an amazing ball of energy. She’ll make you dance even if you’re unfamiliar with their music. You can grab tickets for that show here. 

~Jessica Gloe

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