This Tuesday, May 16, Gabriel Garzon-Montano is performing at The Crocodile in Belltown. Gabriel Garzon-Montano’s Jardin, released early this year, intricately melds together notes of soul, pop, hip-hop, and funk, ultimately creating a vibrant sound owned solely by him. Hailing originally from Brooklyn, Garzon-Montano’s interest in music was sparked in childhood by his mother, a musician in the Philip Glass Ensemble during the ‘90s. Though most commonly recognized as the creator of the sample featured in Drake’s Jungle (check out his original Six Eight), Garzon-Montano is so much more than that. Weaving together bright funk notes and unlikely time signatures, Garzon-Montano’s Jardin is a powerful collection of music that insights both introspection and pure dancing fun and will undoubtedly be a memorable experience live.
Raleigh (like ballet) Ritchie (like Lionel) took fans by surprise when he announced the release of his new EP last November. The EP, Mind the Gap, was released on December 16th, 2016 and it’s devastatingly good. Raleigh Ritchie (real name Jacob Anderson) is newer to the music scene, having only just released his debut album You’re a Man Now, Boy earlier last year. Yet, he’s not an entirely unfamiliar face, fans of Game of Thrones might recognize him as Grey Worm, the leader of the unsullied. This is where I discovered him, looked him up one day because I thought he was cute and google let me know he had a few songs floating around at the time (thanks google). Gave one of his singles, “Bloodsport ’15”, a listen and I was instantly in love. It was fate. I’ve been a fan ever since and I am personally so stoked about the recent release of Mind the Gap which is what we are here to talk about.
Start listening while you read: click HERE to go to Mind the Gap on soundcloud!
This EP is an organized clusterfuck of self-deprecation and heartbreak mixed with upbeat instrumental and fast paced lyrics, producing a fantastically odd dichotomy of feelings. The album has a sound that feels derived from R&B but somewhere along the lines it picked up heavy pop influences, with a light peppering of the occasional rap or spoken word. It’s not too much of a departure from his debut album (which I HIGHLY recommend you listen to), there’s a lot of similarities between the two pieces. Raleigh even said himself that he felt the EP was more of a bridge between his debut album and the next, rather than a totally independent piece. I won’t quote him on that because it was in a tweet from a few months back that I won’t even bother to search for. He tweets a lot. (One time, he favorited my tweet – but that’s a story for another time).
Something I love about the sound of this album is the deeper electronic feel with the background vocals. You’re a Man Now, Boy was very flowly and floaty in the background vocals – almost choir-like. Almost fantastical. Whereas Mind the Gap is mostly background vocals that are tuned bytes of Ritchie singing drawn out “ahs” or “ohs” (excuse my inability to quantify music). The subtle electronic qualities are pretty much thrown in your face in the first track off the album Motions, which begins with a brief audio of a Robot fight/break-up. We hear two Siri-esque voices argue about how they feel about each other, resulting in the end of their robot relationship. This persists through the song with brief one liners from either robot voice. It’s pretty rad, if I do say so myself.
Mind the Gap totals 5 songs: “Motions”, “Sicko”, “Liability”, “StraitJacket”, and “Unicron Love” (don’t ask me why its spelled like that – I have no idea). Each song is unique, but they all flow very well together. My favorite example of this is the transition between “Motions” and “Sicko”; “Motions” ends with the Male robot saying “I love you”, only to have the female reply “I know, but you are sick” – and then sicko immediately begins with “Maybe I’m just sick”. Hell yeah. Well, I mean, that’s pretty sad and heartbreaking lyrically, but 10/10 transition. Speaking of lyrics, Ritchie gives the listener a lot to think about as far as sanity and heartbreak go. “Motions” and “Unicron Love” both focus on two different sides of a relationship. Since we know that Motions isn’t the brightest view on love, we can probably guess how “Unicron Love” portrays it.
“Sicko”, “Liability”, and “StraitJacket” all focus more on an introspective view. “Sicko” plays off “Motions” and outlines the chaos of a mind trying to diagnose an internal sickness. There’s a lot of self-doubt and confusion present in the lyrics of this song, ending in the simple conclusion of “Maybe I’m just sick”. Liability is all about feeling bad for yourself. The musical composition of this song is diverse and beautiful, it ranges from flowy and floaty (both technical terms) to harsh and brittle (if that’s a word people use for describing music). The song feels like it’s been written out of a place of anger and defeat, it screams “why me?!”. I’m a sucker for this song, self-pity, now that’s something I can rock to. The song ends with a beautiful, whispered, “oh, fuck off” directly at his own thoughts.
Now, we arrive at “StraitJacket”, my favorite track off the album – this one is just an Ode to Mania, a sweet sweet embrace of the craziness that is our mind. It’s a fast paced, rollercoaster of a song, and there are no seatbelts. Every time you think you’ve reached the climax (not sexual) of the song, you find yourself surprised by even more faced paced energy. At the real, destructive, climax (might be a little sexual) of this song you can practically feel Ritchie screaming in your face. It also showcases one of the best things about Ritchie’s music; his sexy voice and crazy good spoken word influenced rap style. The song ends with a jarringly slow verse of spoken word that asks the listener if any of us (especially Ritchie) are sane; “Fight amongst the foot soldiers, but the war is in my mind”. Not only is the song super fucking cool, there’s a super fucking cool music video that accompanies it. Check it below, it really adds to the song and shows what Ritchie is trying to say with it (basically, that he’s just crazy).
This EP is phenomenal, and you bet I’ll be listening to it pretty much once a day. The title of the EP (Mind the Gap, if you somehow forgot) is really validated by the content of the songs. It’s about watching out for the mental leap in logic from sanity to insanity, it’s fitting for how much attention the tracks give to being not-so-sane. Raleigh Ritchie is an amazing and talented new artist that deserves a lot more attention than he gets. On the plus side, he’s so unknown that he’ll favorite/retweet your tweets if you tweet at him. But seriously, check him out, between the amazing album art, magically sexy vocals, and make-you-think lyrics there’s nothing not to love. Make sure to check out not only the Mind the Gap EP, but also his debut album You’re a Man Now, Boy! Thanks for reading, I’ll see you back here next week for the rediscovery of Sir Sly.
There was nothing like soul-infused Tuesday night when Jacob Banks hit the stage at Barboza.
Watching flashes his fans a stunning white smile, while shyly saying “Hi, I’m from
London,” we felt nothing but warmth for the soulful artist as he sang a cover
of Corinne Bailey Rae’s infamous “Put
Your Records On.”
Originally from Birmingham, England, the British
singer-songwriter first became active in 2012, when he was the first unsigned
act to ever appear on BBC Radio 1 Live Lounge. Influenced by a multitude of soul,
R&B, and hip-hop, Banks first recorded his debut EP The Monologue, released in 2013, with his top hit “Worthy,” a popular
play on various stations. A tall, brooding man with a bright smile, Banks cites Jake Gosling, Bondax, and Knox Brown as some influences and reminds us of a combination of Benjamin
Clementine, Seal, and Jack Garratt.
Soft smooth vocals always seemingly complemented by melodic piano, Jacob Banks
is crossing genres often acoustic singer-songwriter ballads, like tracks “Homecoming”
and “Hostage” on his EP The Monologue.
Yet, the man has range, both vocally and emotionally, demonstrated in “Something
Beautiful,” also seen on his EP The
Monologue. On his newest EP The
Paradox, Banks delves more into
soul and R&B, experimenting with melodies in his vocal range, seen in “Home,”
and “All Mine.”
Playing fan favorites from his newer EP, Banks succeeded at demonstrating
a mix of softer vocals and instrumentals in Unknown,” while demonstrating a
hard, grittier audible aesthetic in “Sink or Swim.” Highlighting the soul aspects
of his set list, the British artist catalyzed a complete feeling of union and
communal love, as the audience swayed in unison to “Home,” a song similar in
feeling to any calmer Stevie Wonder
a nice complement to the upbeat and diverse sounding track “Monster.”
Finally ending his set with new single “Unholy War,” the
audience vibe completely shifted as we all came together and empathized together
with the emotion in Banks’ vocals as he glided on the stage and crooned chorus “Let
love lead you home, oh no/ Let redemption keep you warm.” And just as Banks climaxes
as he reaches as the height at the bridge taper off, the audience in parallel also
We stop, we sway, we close our eyes, and we dance as the
rest of the chorus plays out.
Jacob Banks has reached a new level of soul, and it’s dipping
into funk—and we’re sort of hoping he continue only to reach new heights with
his artistic creativity.
You might not know his name, but it is likely that you will recognize Gabriel Garzón-Montano’s voice. Garzón-Montano was pulled into the spotlight after Drake sampled his track “6 8". But he is determined not to let that define him. “I don’t want to be that guy that got sampled on ‘Jungle’,” he said, “I don’t want that to give me my value”.
I think those concerns have been effectively erased with the release of his full-length debut Jardín. As the primary vocalist, instrumentalist, and composer for Jardín, there is no doubt left about this man’s talent.
Music became part of Garzón-Montano’s life from an early age. Gaining the foundations of classical training from his mother, he learned violin as a child before moving on to guitar, drums, bass, and piano. His resulting musical career has incorporated his experiences with urban electronic and hip-hop, as well as influences from his French-Colombian heritage.
It’s actually quite a feat to locate Garzón-Montano’s sound on the wide map of his influences. I would place it somewhere between chill funk and neo-soul, balanced with a touch of psychedelia and a hard penchant for groove. On Jardín, this has culminated in a luxurious ode to life, beauty, and romance. The layered vocals and lush instrumentals across each track are irresistible.
Opening with “Trial”, Jardín eases the listener in with soft harmonies laid across a restrained string performance. The next few tracks build up to soulful vocals from Garzón-Montano, punctuated by the funky rhythms of “The Game” and “Crawl”. From this point onward, Jardín somehow feels like its own microcosm. It’s minimalistic at times, yet eerily moody in a world that seems very much separate from ours. Garzón-Montano is quite aware of this. He closes the album with the gentle, soothing melody of “Lullaby”, perhaps as if to delicately deposit the listener back into reality.
I’m very impressed with this release. The intricacies and details in Jardín seem to indicate that we can expect more great things from Garzón-Montano. He is certainly surpassing his time in the spotlight as “the guy that got sampled on ‘Jungle’”. He is making his own name for himself, and I look forward to what he will bring us in the future, perhaps with a bit more polish if nothing else.
A new year means another year of new music and breakout artists. Last year was a monumental year for music, bringing both major album releases and newcomers to the forefront. That being said, here are five artists that are sure to impress this year.
The St. Louis, Missouri native has already gained a following with the release of two EPs and as an opening act on Mick Jenkins’ recent tour. Now Smino is prepared to enter the spotlight with the release of his debut album blkswn early this year. Though a release date hasn’t been announced yet, Smino has been teasing its release with snippets of new songs on his snapchat as well as a new single, taking the same name as the album. Expect the album to be packed full of bars and smooth production, both staples of Smino’s craft. Listen to “blkswn.”
Ravyn Lanae has slowly made her mark through features with notable rappers, including Mick Jenkins, Noname, and Saba. Her debut EP, Moon Shoes, established her as a strong solo act, making effective use of her angelic voice and versatility to create songs that can be both groovy or moody. Her busy year has already begun, opening for Noname on tour (in Seattle February 15) and hard at work on her debut album, which is set to drop sometime this year. Be on the lookout for Lanae to drop new music soon and possibly perform in a city near you. Go hit up Moon Shoes.
Hailing from Portland, Oregon, Aminéhas already made a name for himself with the smash hit “Caroline”. His performance last year on Late Night with Jimmy Fallon further elevated him status when he added an additional verse to the song, addressing the recent presidential election and his disapproval of its unfortunate results. His unique style and upbeat flow are a joy to listen and dance to, even though his library of work is relatively small (he has two singles on Spotify and one album on Soundcloud). Although he has yet to announce an album release this year, more new music is expected to come from the young star, so make sure to stay alert. Watch Aminé’s performance on Late Night with Jimmy Fallon.
Florida has recently become one of the hottest spots for new artists, introducing the likes of Denzel Curry, Kodak Black, Twelve’len, and Marcellus Juvann. Kaiydois another one to add to the group. His typically bouncy songs have caught fire in the hip-hop community. My personal favorite, “Arcade”, has an incredibly bangin’ beat paired with a catchy hook. Kaiydo’s library only includes a few singles, but he told the music blog Pigeons and Planes that his debut mixtape Kartoons is on the way. Hopefully his mixtape includes the same catchy songs that he has released so far. Be sure to listen to “Arcade.”
Khalid uniquely fuses electronic and R&B to create a genre all his own. His breakout single “Location” has already amassed over 30 million plays on Spotify, and his performance at ComplexCon has helped him gain national attention. He recently kicked off a tour to promote his debut album, releasing March 3. Khalid manages to create diverse music, as is evident on the song “Coaster”, a piano-driven ballad, and “Hopeless”, a song that sounds like an ode to 80s electronic music. Make sure to give Khalid’s album a listen when it releases, as it is sure to blow up in the weeks following its release. Definitely check out “Location.”