Rainy Dawg Radio is turning 14 so we are celebrating with not one, but TWO shows in the Ethnic Cultural Theatre!
Night 1, Tuesday April 18th:
& the winner of our Birthday Battle of the Bands!
Night 2, Wednesday April 19th:
See you all there for some good times 😎
You might not know his name, but it is likely that you will recognize Gabriel Garzón-Montano’s voice. Garzón-Montano was pulled into the spotlight after Drake sampled his track “6 8". But he is determined not to let that define him. “I don’t want to be that guy that got sampled on ‘Jungle’,” he said, “I don’t want that to give me my value”.
I think those concerns have been effectively erased with the release of his full-length debut Jardín. As the primary vocalist, instrumentalist, and composer for Jardín, there is no doubt left about this man’s talent.
Music became part of Garzón-Montano’s life from an early age. Gaining the foundations of classical training from his mother, he learned violin as a child before moving on to guitar, drums, bass, and piano. His resulting musical career has incorporated his experiences with urban electronic and hip-hop, as well as influences from his French-Colombian heritage.
It’s actually quite a feat to locate Garzón-Montano’s sound on the wide map of his influences. I would place it somewhere between chill funk and neo-soul, balanced with a touch of psychedelia and a hard penchant for groove. On Jardín, this has culminated in a luxurious ode to life, beauty, and romance. The layered vocals and lush instrumentals across each track are irresistible.
Opening with “Trial”, Jardín eases the listener in with soft harmonies laid across a restrained string performance. The next few tracks build up to soulful vocals from Garzón-Montano, punctuated by the funky rhythms of “The Game” and “Crawl”. From this point onward, Jardín somehow feels like its own microcosm. It’s minimalistic at times, yet eerily moody in a world that seems very much separate from ours. Garzón-Montano is quite aware of this. He closes the album with the gentle, soothing melody of “Lullaby”, perhaps as if to delicately deposit the listener back into reality.
I’m very impressed with this release. The intricacies and details in Jardín seem to indicate that we can expect more great things from Garzón-Montano. He is certainly surpassing his time in the spotlight as “the guy that got sampled on ‘Jungle’”. He is making his own name for himself, and I look forward to what he will bring us in the future, perhaps with a bit more polish if nothing else.
This year the show features:
Gifted Gab (SEA)
The First Lady of Moor Gang.
Spacy beats with reflective rhymes.
Remember Face (SEA)
Duo formed from members of Nu Era bringing you some “head-nod arcana.”
Doors open at 7pm.
The show is FREE!
The show will be at the Ethnic Cultural Theatre down near West Campus: 3940 Brooklyn Ave. NE.
We made a sick Soundcloud sampler playlist featuring all of the artists: https://soundcloud.com/
RSVP on Facebook and we hope to see you there!
Send any questions to email@example.com.
Father John Misty,
a.k.a. Josh Tillman released not only a new single this month, but a 25-minute
film to accompany it. “Pure Comedy” is the first song off his upcoming album of
the same name, slated for release April 7 of this year. This is his first
release since I Love You, Honeybear
from February 2015. It appears that the same ironic, satirical lyrics that
appeared on Honeybear aren’t leaving
any time soon. “Pure Comedy” is reminiscent of “Bored in the USA” from Honeybear, which utilized a laugh track
to drive home the satire. If you haven’t picked up on the irony Tillman
masterfully employs, “Pure Comedy” gives another example of the satirical
Father John Misty. In the accompanying black and white film, also titled Pure Comedy, Tillman teases additional
songs off his upcoming album. The video is bizarre, eclectic, and extremely
surreal. For sneak peeks at new material and to see a joyous Tillman directing
a church choir, it’s worth the lengthy 25-minute timestamp. The new single
features Tillman’s crooning vocals and melancholy piano, so while titled “Pure
Comedy”, it’s made clear that Tillman isn’t laughing. You can listen to the new