Celebrate, celebrate: Holiday Mountain

New musicians are back, let’s dive in and straight up dig it. Holiday Mountain, anyone?

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Holiday Mountain is a band that is completely out of the realm of genre. Synth pop fused with dubstep fused with the meaningful lyricism of soul? It’s trippy.
Which is not a bad thing, we need some more unique eclectic sounds in our lives. Based in Austin, Texas, Holiday Mountain dub themselves as musicians that push musical boundaries, mixing dances beats, unexpected melodies, and airy vocals.

And it’s true, they’re unconventional for sure.

Taking a look at their recently released EP You be You, Part 1, there is a lot going on that you almost wonder, and “How did they come up with this?”

Number one track off their EP “My Body” is so bizarre sounding with a mix of front woman Laura Patino half rapping her lyrics “Don’t need no hates/If you ain’t down, I’ll see you later,” to underlying synth beats and heavy percussion. This group does their own sound, and they make that known to you straight up coming to the album, regarding their unconventional sound.

But you come to get used to the way Holiday Mountain mixes their sound by the time you get to sweet tracks like “Slow Motion Things,” with tangy vocals, poignant instrumental riffs, and musical timing that ironically parallels the theme of the song.

There are funky beats, and there are rich vocals for sure. You’ve got hints of Diplo and M.I.A. with the electronic dance groove and hip hop influence, but Holiday Mountain does have one distinction.

Although their sound is crazy, the themes behind their lyricism are beautiful and empowering. With lyrics like “It’s my body/Don’t need no haters” and “Equal freedom for woman and man,” you can’t help but feel inspired regarding gender equality and female empowerment. Not something typical to normal synth-pop right?

My favorite track off the entire EP is “With You” (featuring Wild Child), and that isn’t due to just the slower tempo and more ethereal sounding vocals. It’s about self-love, but it’s also about love in general and the beautiful feelings that comes with love. There is a very airy feel to the entire track as Patino sings “With you, I am young/With you, I am free.” The layered vocals with the softer percussion and overlay of violin is beautiful. It’s a little hippie, with the underlying chorus and synth, but it’s a beautiful end to the EP, and makes you wistful for just a little bit more. 

It’s nice seeing the versatility of these musicians, purely because not everyone can necessarily automatically groove to Holiday Mountain’s aggressive dance jams. But at the same time, not everyone may not want to sit and mellow out to a more airy, acoustic tune either.

They’ve got a little bit of everything, and that’s what matter when they’re singing about themes of self-love, empowerment, and overall acceptance—something we can all relate to.

You Be You, Part 1, available here to jam to. Go groove.

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Ariana Rivera

I’m talkin bout French house

Annnddddddd we’re back. I’m sorry for such a long sabbatical but I was just researching music.
And being lazy.
So who wants to talk about French deep house?

Gonna be honest, I’m SO NOT an expert on house music, but because deep house has elements of soul and 1980s jazz-funk and this specific musician uses a lot of piano and saxophone, I’m going to say that I somewhat know what I’m talking about.

Should we meet Klingande

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A French duo composed of musicians Cédric Steinmyller and Edgar Catry, these guys don’t give the vibe of what you think of when you think of house music: electronic, boring, repetitive. They dig honest sound, and true jazz, funk, and soul. With three solid singles out, deubting in in 2013, these guys are beautiful in their sound.

There are house beats, but there are also funky basslines, eclectic vocal samples, excellent percussion and hypnotic, just straight-jamming grooves of saxophone solos that distinguish Klingande’s sound.

The two boys themselves label their music as “melodic sound,” and for sure they have this vibe of sunny beaches and the strange juxtaposition of classy, classy saxophone jazz and more modern dance pop.

I mean, take a listen to “Jubel.” You’ve got these straight up dope saxophone melodies (thank you fantastic Mr. Snake Davis) running throughout the entire track of lovely Lucie Decarne’s vocals. Reaching number one on the charts in Austria, Belgium, the Czech Republic, Germany, Italy, Luxembourg, Poland, Portugal, Slovakia and Switzerland, this track also hit #3 on the UK Singles chart.

We start out slow with bongo-drums and light layering of keys, yeah? Then a bassline melody, still good, right? Then a build up to the vocals, and you’re like, “Hmm, pretty good.” But then we hit the sax, and you’ve got to just stop and smile.

And then look at his first single ever released, “Punga.” The vocals are phenomenal combined with the saxophone layered on piano. And to be honest, the sax on this track is better than the sax on Jubel, but the standard of excellence here is just so high that either way, any of Klingande’s tracks are going to exceed any of our expectation for musical innovation.

If you like Avicii, if you like Bakermat, if you like saxophone, if you like grooves, please. Do yourself a favor. Check out his Soundcloud here, trust me, he’s worth your time.

And sweet deal because if you fall in love enough, go and check out his show at The Crocodile on May 20th.
You can bet I’m gonna be there.

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Ariana Rivera