After local artists Crater and Shaprece rocked out with their high energy and expressive vibes, Moses Sumney assumed his position in front of the audience at the Ethnic Cultural Center on Wednesday, January 28th. Just his very presence sent ethereal sensations throughout the venue, creating a kind of piercing silence that is only heardwhen crowds of people are in complete and utter awe of whatever it is they find
themselves collectively part of. “There’s gonna be a lot of surprises tonight,
for both of us,” Moses Sumney said with a laugh as he grabbed the mic and
started to test the waters on the stage. His sly remarks gave the impression that
he may have been a tad nervous, but the moment he started playing music it
became clear that nerves were most certainly not a factor in his phenomenal
performance. Although I might not have plastic wings like Moses Sumney (as
heard in his song “Plastic”), I felt myself float as he began to experiment
with his inspiring soul/folk sounds.
sounds began to develop into loops of his voice, overlapping each other—resulting
in a trancelike, overwhelming foundation for the musical journey he was
beginning to create for the audience. I’ve never been to another show where I
felt like I was watching art being created in front of my eyes and ears, but
Moses Sumney really achieved that with the techniques he used to create his
beautiful compositions. Aside from the use of a guitar, the only other
instrument Moses used on stage was his voice and his looping tool to create a
unique experience unlike any other that I’ve felt at a live show. Each
individual noise coming out of his mouth and guitar somehow developed into
beautiful songs that surrounded the audience in an unearthly bubble that popped
in each audience member’s mind.
opening song—“Dwell in the Dark”—was one of his more upbeat folky songs that
created liveliness throughout the ECT. This and his next song, “Man on the Moon,”
set the tone for the rest of the night as being a soulful and unique one on the
UW campus. As this song came to an end, he held one high note and began looping
his voice into a really interesting mix of sounds. The tones in this mixture
became almost anxiety-inducing in the best possible way—causing listeners to
feel a bit uncomfortable in their seats as they felt the growing sublime energy
swallow and capture their senses. The Ethnic Cultural Center turned into a cave
of creation, full of reverberating sounds including beat boxing, clapping, and
intonations of Moses Sumney’s heavenly voice (as can be seen and heard below).
He later went into playing one of
my favorite songs of the night—“Worth It”—and joked about it being written
about tuition increases (hehe, thanks for keeping a positive attitude about
tuition rises, Mr. Sumney). The biggest crowd pleaser of the night definitely
came when Moses began playing “Plastic,” one of his most played songs on his Soundcloud. He eased into playing this mellow and sexy tune while receiving cheering
from the entire audience to continue his outstanding work. There was one point
during the song that he began to actually whisper, almost teasing listeners to
beg for more of his smooth voice.
the night, I felt myself become emotionally controlled by the powerful hold
that the music had over me; however, the saddest part came when Moses Sumney’s
music had to stop. As he exited with a standing ovation (no surprise there), I
found myself wishing for an encore more than I had ever in my entire life. Unfortunately
there was no encore, but I did get a chance to briefly speak with Moses after
the show and get a picture with this up and coming legend.
Incase you weren’t able to come
around this time to experience this one-of-a-kind musician; I strongly recommend
you check him out the next time he’s in Seattle (which lucky for you is on
February 17th at Neumos)! You won’t regret it—I can speak from experience when I say that it will be an ear-opening performance to remember as last Wednesday’s was at the ECT.