I remember back in 2014 (or sometime around then) when Fun. announced they’d be going on hiatus, I was pretty distraught. Personally, I am a pretty big fan of the band, and I’ll patiently stay hopeful for their glorious return. It wasn’t soon after their hiatus announcement that I discovered Bleachers, whose front man, Jack Antonoff, was actually the drummer for Fun.! This was madness to me, but my love for Fun. extended to Bleachers, and I fell in love. Who put him on the drums? This guy can kill vocals! (Not that Nate Ruess couldn’t, God bless – check it)

Since the release of their first album in 2014, Strange Desire (which housed familiar hits like “I Wanna Get Better” and “Rollercoaster”) the artist had only released Terrible Thrills Vol. 2 way back in 2015. This album was a simple reprise of all the songs from the original Strange Desire, but sung by some pretty prominent female vocalists (Sia, Tinashe, Sara Barellies, MO, Elle King – to name a few). 

And now, in the magical year that is 2017 we have been blessed with all new music from Antonoff. The first of two singles (so far) “Don’t Take the Money” is somehow worth the three (two?) year wait. First, I’ll say that it definitely feels like summer. It also has a pretty wicked music video to accompany it, it’s pretty weird with a fun little twist – but, that’s not unusual for Antonoff considering previous music videos. Check it: 

Next up, we’ve got the latest release, “Hate That You Know Me”, which feels a bit like “I Wanna Get Better” as far as lyrical composition, but definitely departs from the more rock/punk feel that “I Wanna Get Better” throws out. Personally, it’s my favorite of the two to be released so far. I feel like it’s that track that everyone has been trying to write, but no one has done it just right. It takes the classic cliche “hate that you know me so well..” that you find in a lot of songs, and expands it into an entire track. 

Just right off the bat, the two songs really feel pre-2000′s with a nice modern twist all blended together with Bleachers’ mixed bag of rock, pop, and a little bit of heavy piano ballads. I’m excited for what’s to come – and you can bet you’ll find a follow up post.

The upcoming album “Gone Now” holds a lot of potential, and it’s three (two?) years in the making. You can find it dropping on June 2nd – get it while it’s hot. No doubt it’s gonna dominate the summer, ya know, sorta like “I Wanna Get Better” did? 

Zach Krieger

Album Review: This Old Dog from Mac Demarco


Easy going Mac Demarco has dropped his fourth album, This Old Dog. This follows his 2015 album Another One and shows his continued growth as an artist. Demarco is known for his laid-back demeanor, wanting to interact with fans directly, whether through his Official Fan Club or at shows. He’s given out his New York home address on the final track of Another One offering his fans a cup of coffee if they stop by. Since this, he moved to California at an undisclosed address and started working on his newest release. If you’re unfamiliar, you can get a better sense of his attitude through his music videos or social media posts.

This Old Dog doesn’t deviate much from Demarco’s easy, breezy sound found in his previous two albums, but displays a level of growth in songwriting and production. His lyrics are less cluttered than before and grapple with much more complex and adult themes, the largest being Demarco’s relationship with a largely absent father. He laments that he’s turning into his father on the first track “My Old Man”, closing the album with “Watching Him Fade Away” where Demarco says of his father’s illness: “the thought of him no longer being around/ well sure it would be sad but not really different”. It’s heart wrenching to hear about losing something that was never quite there and a stark contrast to previous songs such as “Ode to Viceroy”, an ode to Demarco’s favorite cigarettes.

Maybe it’s his shift towards these more adult themes that makes this album feel different from the previous ones. The sound hasn’t changed that much, although Demarco’s favored an acoustic guitar heavily this time around. This album also sounds more polished, more studio produced than previous demo-like moments from Salad Days or 2.  He’s still the laid-back singer-songwriter but his sound is starting to explore a selection of other genres and influences. “A Wolf Who Wears Sheeps Clothes” feels folky with a harmonica and acoustic guitar while “One More Love Song” immediately after is funkier with heavier bass. However, he manages to do all of this and still sound like Mac Demarco.

This album makes for easy listening in true Demarco fashion. While it personally isn’t my favorite work from him, it still has great moments and is still a strong album.

Stream This Old Dog here and catch Demarco at The Moore Theatre September 10th or 11th.

Best Tracks: “My Old Man”, “Still Beating”, “One More Love Song”

Jessica Gloe

New Track: prints_ – Ghosts


In some ways, “Ghosts” is an appropriate name for the newest track by L.A. artists Carol Rhyu and Keil Corcoran, otherwise known as prints_. Rhyu’s whispery voice floats above ethereal synth lines, singing about being “lost inside this moment/no past, no future.” The dreamy keyboard textures are undergirded by a steady bass and skittering drums, keeping the track from drifting off into the spirit realm entirely. Still, it’s a fine track for those times when you feel like escaping from the real world for a few minutes.

“Ghosts” is the first new prints_ song in nearly two years, but that doesn’t mean the project’s members haven’t kept busy. Rhyu also makes music as White Blush, producing dark dream pop similar to that of prints_, and Corcoran is a member of the band STRFKR, who of course graced UW with their presence at last year’s ASUW Spring Show. You can listen to the rest of their collaborative tracks on Soundcloud (which are, sadly, limited in number) and check out the new video for their song “Wish” on YouTube.

LeAnn Nguyen

Ani Joon Review: G-Eazy show & backstage Blizzy interview in Seattle!

Our very own Ani Joon attends a show, takes some pictures, and chats up a drummer. Check out her vlog-tastic review (above) and snaps below:

Image set by Ania Kamkar

Album Review: “Alone For The First Time” by Ryan Hemsworth



the canadian prince of future vibes and dope remixes dropped a new album November 4th named Alone For The First Time. the album is fairly short, just 7 songs totaling 27 minutes. 


01 “Hurt Me”

02 “Walk Me Home” (Feat. Lontalius)

03 “Snow In Newark” (Feat. Dawn Golden)

04 “Blemish”

05 “Too Long Here” (Feat. Alex G)

06 “Surrounded” (Feat. Kotomi & DOSS)

07 “By Myself” (Feat. the GTW & Little Cloud)

the album is a super chill collection of songs that have great beats accompanied by really pretty and sometimes sad lyrics, a perfect follow up to last years album, Guilt Trips (which you should also check out if you haven’t). Hemsworth told vogue “Maybe it’s[Alone For The First Time] a reaction to all the party music out there now, but I just needed to do something a little quieter — every song I do is in a minor key.” this makes the album really flow together- i think it sounds best just played in order. Check out the stream below:

the first track, “Hurt Me”, is minimalistic with a bubbly electronic beat and simple lyrics (the only words are “don’t you hurt me”). how much more representative of Ryan Hemsworth’s style could that be…

“Walk Me Home” is that classic internal battle between wanting to be with someone but knowing they’re not good for ya. put those lyrics over Hemsworth’s spin on what sounds like a ballerina music box and it’s an amazing song; you’ll find yourself torn between dancing and curling up in a ball of sad- the best kind of sad.

“Snow in Newark” was the album’s first single, released September 22nd, 2014. this track is ESSENTIAL. this song is a sincere and relatable piece, you can’t help but wanna give ryan a big ol’ hug because he’s just so adorably glum. “I call my music happysad, one word, no spaces,” Ryan Hemsworth says, and that’s exactly what this is. 

“Blemish” is an instrumental electronic track, which is very different than the typical, crazy instrumentals that start to sound repetitive and almost aggressive, because Hemsworth’s mellow and unique style is so vibe-able. 

“Too Long Here” opens up with the lyric “Who ever thought of a big train / Going right in your mouth”. it’s a lonely song about feeling lost, but in a really common and not necessarily sad way. i think this is my favorite song on the album because the meaning isn’t really clear, so everyone’s gonna interpret it differently. and Alex G’s voice is dope, so that always helps.

“Surrounded” is great. the voices, one computerized-sounding, one soft and very classic, create a cool contrast with the electronic beat and bass. you really notice Hemsworth’s DJ skills on this track- they’re impossible to ignore.

finally, the last hoorah, “By Myself”.  this is such an amazing song, and i love the way Hemsworth, GTW & Little Cloud worked together, because the song seems accessible. you can relate to the lyrics and the beat, and you can be alone but with someone else, as the song is saying. it’s a cool way to end the album because when it finishes, it winds down to nothing and you do almost feel by yourself. 

overall, the album was a really successful project, and i think Ryan Hemsworth is just on the come up. he’s been touring around the world, doing big festival appearances and college fling concerts, but he’s had time to make this album and be really involved with his fans. he replies to a majority of the tweets he receives, and answers all of his tumblr asks, which reveals how humble and, honestly, timid he is. when a fan complimented his performance at the University of British Columbia, he replied “i felt funny at ubc for some reason.. i dunno if i’m good at like big college spring fling parties? or just 2 self conscious lol.” it’s essentially impossible to dislike Ryan Hemsworth as a person, which makes his music that much more attractive. 

Hemsworth detailed his reasoning for making this album shy away from the typical electronic club music on his tumblr: “i think just a lot of the places i found myself in the past year (big weird EDM festivals, etc) kind of pushed me to make something quieter / separate from that world. and also just the combo of never being home but meeting cute nice people on the road lots added up to a newfound appreciation of a lot of music i’d forgotten about.”

basically, you should totally check out his new album. and his instagram, which is where i pulled this picture from:



Rad Report: Otieno Terry blows the roof off the Vera Project

I’d like you to close your eyes for a moment and imagine that some kind of intangible, energy-like force comes up from behind you and jolts you in a way that makes your body move uncontrollably. Before you realize it, liveliness is radiating out of your body in a way that can only be interpreted as dancing.

The energy that Otieno Terry brought onto the stage last Thursday night (the 23rd) was incomparable to any other artists I’ve seen perform. Although he’s a complete wildcard in the scheme of my music taste, he most obviously has the ability to create the kind of energy-like force I was referring to above. Although his music is a little more on the hip-hop/jazz/R&B end of the spectrum than I usually explore, I found myself captivated by the ambiance that radiated from his stage presence toward the crowd. Between his smooth yet hip-hoppy vocals and his exhilarating dance skills, he was able to get the whole crowd moving to his music in a way that very few artists have the ability to.

Each song that he performed had an individual flare to it with vibes pulling from different genres. He joked around about naming one of his songs after one of his band mates, but later got more serious when he revealed that one was about “falling in love and shit.” My personal favorite was his cover of Sweet Dreams (originally by Eurythmics), which he clearly made his own (as seen and heard in the video above).

After an amazing show, I was lucky enough to meet this one-of-a-kind artist with my main girl and fellow blawger Ani Joon (check out her vlog, The Ani Joon Review). I only had the opportunity to speak with him for a few minutes, but discovered that he is actually a really awesome dude. On top of that, he’s a local artist, originally from Central District. This isn’t his first time rocking shows in the Seattle area and his next show is coming up at The Crocodile on November 28th! Check him out next month and don’t miss this awesome opportunity to become enveloped in Otieno Terry’s awe-inspiring music and energy. 

Photo of Otieno Terry and me after the show

Rad Rebs

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Rad Report: Modest Mouse isn’t being too modest!–reissuing of two albums



Yo all you Rainy Dawgs out there! This is the Rad Report with blogger Rad Rebs, and before we get down and dirty with some awesome new details about Modest Mouse’s reissuing of their first two LPs, we’re about to get slightly philosophical so bare with me. Its been said that “bad news comes, don’t you worry even when it lands good news will work its way to all them plans” (Modest Mouse, “Float On”). This resonates with me as I float into a new world, full of changes and new experiences. On a broader and wider spectrum, it’s only human to wonder when our luck will take a turn for the better—into the utopian-esque world that we tend to imagine. No matter which point we are at in our lives, it seems to be inevitable that we will face a wave of challenges; at any given moment we may experience the “bad news” that Modest Mouse refers to, but just as often we find ourselves in a state of euphoria in the next instant.

We can relate to Modest Mouse in many ways as being their fellow Washingtonians—the lead singer (Isaac Brock) originally grew in Issaquah just east of the UW campus. Although growing up poor, Brock formed the band in the early nineties and received a lot of luck with their first two LPs released in 1996 and 1997 respectively.

We’ll all be considering ourselves pretty lucky starting on October 28th, when Modest Mouse’s This Is a Long Drive for Someone with Nothing to Think About is reissued on vinyl—and AGAIN on November 4th when The Lonesome Crowded West is reissued. In a world where digital has become the norm, there still seems to be an agreement that listening to an album on vinyl has a charming sound unlike anything else. When we step back and take a moment to realize that this is the first time in over ten years that these albums have been available on vinyl, I’m predicting a pretty serious rush on these reissues. Can’t wait to get my Modest Mouse on vinyl–as Isaac Brock might sing, good news is definitely working its way to all them plans.

Rad Rebs

More info below:

Artist Profile: Naomi Punk

Naomi Punk is a post-punk band from Olympia, WA. But to classify them as such does not do their music justice, as it doesn’t seem to fit into any particular mold. It has to be listened to be understood, and even then I sometimes notice myself discovering new layers to their sound with each time I play one of their records.

It may be cliché to say that an artist’s music grows on you, but in the case of Naomi Punk it’s just true. When I first listened to their debut The Feeling on a recommendation from a friend, I was unconvinced. The album sounded thrown together, its melodies buried under distortion and its lyrics indiscernible. But as I listened to it again I began to notice myself humming along and my foot tapping more and more enthusiastically.

Once I grew familiar with the sound of the album it became contagious. Naomi Punk had already been playing together and touring for a couple years before The Feeling was recorded, and the live energy of the band can be felt throughout the album. The songs all have a unique character to them, and yet on the whole the album feels very solidly like a singular conception. Apart from two tracks based around a synthesizer, the songs are driven only by two guitars and a set of drums, and sound like they could have all been recorded in the same take. This gives The Feeling a familiar and cohesive sound that you learn to appreciate more with each listen.

The band’s follow up, Television Man, was released in August of this year and has a very similar quality to The Feeling. While not as immediately rewarding as their debut, Television Man has many layers of its own and is at times equally engaging. After two solid releases, Naomi Punk feels like a band with a ton of potential and one that would be an incredible live experience. After all, the band has its roots on stage, not in the studio.

Picking out a standout track is difficult because my favorite from them changes practically every time I hear one of their albums, but a good place to start would be “The Spell” off The Feeling:

Editor’s Note: Naomi Punk’s website can be found here:
They don’t have any music there, however, so you’re best off just heading to their record label’s page, Captured Tracks, or their Facebook

Jamie Coughlin