In case you couldn’t tell by the album’s title, Joey Bada$$ is not merely dropping a typical rap album. Inspired by the late Capital Steez’s AmeriKKKan Korruption, Bada$$ has decided to follow in the footsteps of Pro Era’s former great. Exactly five years to the date after Steez’s album, Bada$$ has delivered a project strongly rooted in the “korruption” in present day America.
ALL-AMERIKKKAN BADA$$ features a departure from Bada$$’ typical boom-bop New York sound, favoring a tracklist highlighted by bright production and jazz rap. Long-time producer Statik Selektah produced only two of the twelve tracks on his new album, compared to four on B4.DA.$$. This time around, Bada$$’ producers implement horn sections and electric guitar on a number of tracks, elevating them from decent to fantastic, as well as displaying Bada$$’ adaptability by stepping in a new direction of melody. The middle of the tracklist includes what might be the grooviest sequence of production on an album this year, with “TEMPTATION”, “LAND OF THE FREE”, “DEVASTATED”, and “Y U DON’T LOVE ME (MISS AMERIKKKA)” following one after another. The transition from these four tracks to the next two, “ROCKABYE BABY” and “RING THE ALARM”, is completely jarring, but a welcome shift back towards Bada$$ embracing his ruthless lyricism.
The subject matter is surprisingly heavy compared to the albums upbeat production. Much like Common’s Black America Again, ALL-AMERIKKKAN BADA$$ addresses issues plaguing American’s African Americans, such as police brutality, racism, and inequality. “Y U DON’T LOVE ME (MISS AMERIKKKA)” is reminiscent of an homage to 50 Cent’s “21 Questions”, except Bada$$ questions America’s lack of acceptance towards African Americans. He spits, “Tell me why you don’t love me/Why you always misjudge me?/Why you always put so many things above me?/Why you lead me to believe that I’m ugly?”. Bada$$ doesn’t hold back, and it pays off. The last two minutes of the album are when Bada$$ is at his strongest; he effortlessly dismantles the U.S. government, accusing them of trying to start a civil war between its black and white citizens. He encourages his listeners to unite and fight back, rather than fight each other like he believes the government wants.
Bada$$ hits the mark on every aspect of this album. The production is solid, the guest appearances burst each track into flames, and the themes present relevant issues that need to brought forth time and time again. The focus of ALL-AMERIKKKAN BADA$$ is much tighter than B4.DA.$$, and its production more versatile. Bada$$ has shown great signs on improvement on his sophomore effort and has proved himself deserving of the national spotlight alongside industry titans like Kendrick Lamar and Drake. Listen to ALL-AMERIKKKAN BADA$$ here.