Tag Archives: british

New Track: Blur – Go Out

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Lunar New Year’s celebrations don’t typically include a ‘90s Britpop band announcing a new album at a Chinese restaurant in London. But that’s exactly what happened on the first day of the holiday this year, with Blur revealing the title of their eighth studio album, The Magic Whip, and sharing the first song from it, “Go Out.” So gong hei fat choy to all the Britpop fans out there, I guess.

Hopes for new Blur album have been floating around since their reunion in 2009 and were further fueled by the release of a few new singles in the years since. Such hopes appeared to be confirmed with the news that the band recorded fifteen new songs during their 2013 Hong Kong tour, but singer Damon Albarn was quick to quash any overly optimistic thoughts by suggesting the sessions would end up as “one of those records that never comes out.” The members of the group seemed busy enough with other projects anyway, such as recording solo material, making cheese, and writing a musical based on Alice in Wonderland.

Few were expecting the surprise announcement of The Magic Whip, including possibly Blur themselves. But after polishing up the Hong Kong tracks, the first Blur album in twelve years was ready to go, with the recording location inspiring its cover and announcement location.

The first track to be revealed, “Go Out,” sounds in line with Blur’s later material. The noise of those post-Britpop albums is present here, though that’s not to say that there aren’t any hooks: the chorus, with its vocal hook, has already wriggled its way into my head. Meanwhile, Albarn’s contemptuous lyrics about “the greed go-getter con” show that he hasn’t grown too much more complacent with modern life since the ‘90s, when he sang about it was “rubbish.” On the whole, “Go Out” isn’t too wild of a departure for Blur, but that doesn’t mean we’ll be able to say that about the entire album. After all, Albarn has branched out quite a bit in his work with Gorillaz (and countless other projects), as has guitarist Graham Coxon with his own solo music. It’ll be interesting to see what other directions the band will take on The Magic Whip.

In keeping with the Hong Kong theme, the lyric video for “Go Out” features gratuitous Chinese and, for some reason, an ice cream recipe. You could maybe try making it yourself while you wait for The Magic Whip to come out on April 29th, and you can pre-order it in your format of choice here.

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LeAnn Nguyen

Breaks and Brits: An Introduction to Jack Garratt

It was a long break. But, that just means I had whole lot of time to listen to some new jams, and let me tell you, I found some good ones, friends.

I think by know, we realize that I’m a fan of British artists. And why shouldn’t I be? The accent, their outfits, the incredible depth of the voices that many of these artists carry.

Let’s talk about Jack Garratt.

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A man that honestly looks like he’s be living on the streets as a rabbi with his full face beard, Garratt is a lowkey Londoner performer who’s starting to impress people, including myself. With a relatively new EP released in November, and a single released a month later that literally screams to me perfection in a song, I die a little whenever I hear Garratt sing.

I came across his single, “Worry,” and couldn’t help but smile when I listened to his song. A slow building song, Garratt introduces us to his warm vocals, some drums, and an electric keyboard. You think, “Oh, alright, it’s going to be very Ben Howard-esq” (which isn’t necessarily a bad thing.) However, he just surprises you, and lets his almost falsetto (synced to some perfect electric guitar sometimes sneaking in) just steal your heart. His synchronism with his drum beats and synth just kind of pull it together for me.

After I listened to “Worry,” it was necessary for me to listen to the rest of the EP, and I couldn’t but just inwardly praise Garratt for his use of genre in just the 4 songs on his EP. “Remnants,” is this hauntingly melancholy track that has whispers of a chill to it. While in “Worry,” we had a little bit of a rock vibe, hinting to me for some reason of indie rock band, The Antlers, “Remnants” is just on the completely different spectrum. Garratt’s links his really simply piano melodies with just some raw, raw vocals that lead up to this powerful chorus reminiscent of The Neighbourhood. Same thing going on with “I Wouldn’t Want You Anyway.” Powerful, clean, and somber.

So I’m halfway through this EP, and think I know this guy’s sound, but nope.

Take a listen to “Water,” and sweet baby Jesus, the amount of soul in this song is just uncanny. We take a turn from indie rock/alternative to sweet soul/R&B and I just dig it. The way Garratt uses his voice in this track truly reminds of water, so he’s got that on the mark.

Okay, we’re to the end of this, and although this isn’t technically on the EP, I have a suspicion this new track just released for sure will be on Garratt’s up and coming album, so let’s just fall in love together.

Let me introduce you to the track, “The Love You’re Given.”

This song gives me legitimate chills, and I’m not exaggerating. This song is Marvin Gaye meets old school Robin Thicke meets some James Blake. I’m definitely feelings some hints of jammin’ electro funk and soul, and I’m sorry James Blake, but “Retrograde” just doesn’t stand a chance here with this new artist. After I listened to this artist, I knew that Jack Garratt was an artist that could basically do any genre if he tried. With such an incredible mix of funk, soul, R&B, electro, and goddamn, even some blues, he knows how to use his vocals and instrumentals to the maximum capacity.

I’m stoked for this guy’s full album, and definitely when he comes to the States for a US tour, you guys can guarantee I’m gonna be there front row and center.

Eyooo, Brits, Brits, keep the music comin’.

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Ariana Rivera