Album Review: West-Chicago Rapper Saba Unleashes New Bucket List Project

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The Austin, Illinois native brings hope and energy to his neglected neighborhood with poetic lyrics and organic production dripping with neo-soul

2016 has been a year filled with soulful projects stemming from young Chicago artists, including; Noname’s ‘Telefone’, Mick Jenkins’ ‘The Healing Component’, and of course Chance the Rapper’s explosive ‘Coloring Book’. Saba, an independent poet-turned-rapper, has consistently collaborated with each of these artists, and on his new ‘Bucket List Project’ (Released October 27) he establishes his role in Chicago’s progressive music scene. This project is the follow-up to the 22-year-old’s 2014 mixtape, ‘Comfort Zone,’  which highlighted his creative storytelling and impassioned beat selection. 

A bucket list typically consists of goals and aspirations one dreams of achieving in their lifetime. On his new project, Saba pushes the importance of utilizing ambition through lyrical anecdotes and scattered voicemails regarding the bucket lists of various friends and fellow musicians. Luscious production provided by frequent collaborators Phoelix, Cam O’bi and Monte Booker serves as a perfect backdrop for the album’s poetic reflection on West-Chicago’s repressed neighborhoods. Tracks range from warm and intimate to blunt and intense, but remain focused on inspiring optimism in “the part of the city that they don’t be talking about” to quote the fiery track, ‘Westside Bound 3.” Saba addresses the influences of childhood experiences and relationships in songs like ‘Church / Liquor Store’ and ‘Stoney’ while demonstrating his determination to chase his dream. By speaking on the obstacles obstructing his hometown’s community, Saba finds beauty within the struggle and poetically reinforces the prospect of a brighter future on tracks like ‘Most’ and ‘California.’ All in all, the vibrantly vivid ‘Bucket List Project’ encapsulates the importance of fulfilling goals and living life to the fullest while reflecting on the difficulties of developing in a harsh environment. I highly encourage curious readers to give this innovative project a listen, you won’t be disappointed! 

Listen to Saba’s ‘Bucket List Project’ here

Favorite Tracks: Photosynthesis (ft. Jean Deaux) // Church/Liquor Store (ft. Noname) // Bucket List (ft. Matthew Santos)

Robert B

Check out more music and news from Rainy Dawg Radio @ RainyDawg.org!

Show Review: Chance The Rapper Brings his Imagination to Life on his Magnificent Coloring World Tour

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Monday night I had the privileged of experiencing Chance The Rapper’s uniquely brilliant Magnificent Coloring World Tour inside the cavernous WaMu Theater. Mountainous black curtains lined every inch of the venue instilling a rich sense of mystery. Despite the flowing crowds, I felt alone in the space-like complex. This feeling was short-lived as I was quickly surrounded by masses of colorful people pushing me towards the illustrious ‘front row’. Nevertheless, the vast darkness of WaMu’s towering walls created an alternate dimension isolating the stage and the crowd.

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The show opened with Chance’s electrically awkward collaborator Francis Farewell Starlite of Francis and the Lights accomponied by Chance’s go-to producer, Nate Fox. The Oakland, CA native has been on the alt-pop radar since 2007 and recently dropped his debut studio album Farewell, Starlite! in late September. Francis possessed a very soft-spoken demeanor despite his musics’ jagged edge and funky synthesized melodies. He consistently addressed the well-being of the restless crowd and didn’t serve as much of a hype man until the end of his set. I reluctantly began to enjoy his shameless dancing and oddly groovy style due to his undefeated positive attitude. The man was having fun. It then dawned on me that the true purpose of Francis’ modest performance wasn’t to hype up a restless fans, but to set a peaceful precedent for an enjoyable evening.

After Francis left the stage the show encountered a brief 30-minute delay coupled with a preset playlist containing only Drake and Future. This pause disrupted the concert’s energy momentarily but any shadow of a doubt was obliterated with Chance’s immediate energy.

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Excitement rushed through my veins as the Broadway-esque red curtain rose to reveal the wondrous stage set. Singing animatronics, colorful supersized crayons and Carlos the spirit guide/lion/mega puppet transformed the stage into an animated fantasy land. Chance opened the show performing classic hits off his breakout mixtapes 10 Day and Acid Rap including songs like; Cocao Butter Kisses, Brain Cells, Favorite Song, Long Time and Juice. Each song exploded with spirit backed by Social Experiment members Chi-town producer Peter Cottontale on the keyboard, Stix on the drums, and the incredible Donnie Trumpet toting his famed bugle. Brilliant multi-color lights and textural animations illuminated the once colorless auditorium adding to “Magical Coloring World” experience. After taking his fans on a trip down memory lane, Chance rerouted and began performing his latest masterpiece, Coloring Book, in its entirety. Carlos the Lion acted as Chance’s mentor, guiding him to push the message of the gospel-inspired album. Loving ourselves. The animatronic choir conveyed the setting of a southern-baptist church as Chance’s soulful-jazzy beats served as a perfect medium for his advocacy of God, peace and happiness. I even teared up as Chance spoke personally on the importance learning to love yourself and his current emotional struggles. For his finale Chance brought Francis back out to perform their song (and one of my favorites off Coloring Book) Summer Friends with an extended outro courtesy of the Social Experiment team leaving the crowd with a sense of musical wonderment. I was absolutely blown away by

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part rap-musical part spiritual service the concert turned out to be. If you have yet to experience Chance the Rapper’s music you can find his latest project here. I have also provided links to his previous mixtapes and Soundcloud if you’re interested in exploring this innovative artist’s past work. Chance’s music certainly changed my life and it could change yours too. 

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For fans of: Kanye West, Lupe Fiasco, Childish Gambino, Mick Jenkins.

10 Day

Acid Rap

Chance the Rapper’s: Soundcloud // Twitter // Instagram

Robert B

Check out more music and news from Rainy Dawg Radio @ RainyDawg.org!

Song Review: take a CHANCE on this song

Alright, now that i’ve gotten past that awful but necessary pun, let’s be real here. chance the rapper & the social experiment have been dropping some cool and unusual tracks, but this one is especially different. and, not to mention, a complete conceptual turnaround from the previous song they released, “Wonderful Everyday.”

“No Better Blues” is essentially chance ripping on the world, laundry-list style. but the stuff he says he “hates” are things like “artists,” “creatives,” and “bright people,” which, in my opinion, are all things chance is considered to be. and he repeats that “it don’t get no better,” despite that it already has for the rapper himself.

so, you can interpret this song any way you want. there have been two main competing opinions: it’s a satirical piece meant to be taken light-heartedly & to speak on how ridiculous pessimism and hate has become, or it’s our favorite 21 year old Chicagoan using the facade of sarcasm to expose some deep issues & unpopular opinions.

take it how you want, it’s a good song with a symphonic intro, SoX style, and a cool piano progression on the beat. i’d recommend a listen, or twenty (gnovs style). 

Peter Cottontale, noted as a member of Social Experiment, tweeted the track saying:

#SoX My friends and I made a funny song for you , here’s new music.”

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gnovs