Tag Archives: chillwave

A Night at Neumos: Giraffage Concert Review

image

This last week I hopped on a bus and headed to Capitol Hill to see Giraffage play at Neumos. I had seen Giraffage once before when he played a free show at UC Berkeley, and even with a pathetic sound system he still rocked it.

I had never been to Neumos before, but I was happy with the layout. It was a small enough venue to provide an intimate concert experience while still being large enough for everyone to have room to dance.There was a fairly large balcony area for those who were 21 or older in addition to the large area of floorspace for all ages to dance.

We arrived hella early, I’m not sure why, but when we got there the very first opener was still on. He was a short kid who refused to put his hat fully on his head named DJ HoJo. He was not bad I suppose; we only saw about ten minutes of his set so its hard to assess his talent. He played mainly electronic, bass heavy PLUR music. For those who are unaware what PLUR is, it’s basically just a thing that raver kids say, although in reality it stands for Peace, Love, Unity, and Respect. PLUR music can be defined by artists such as Porter Robinson and Zeds Dead.

When DJ HoJo got off the stage, Spazzkid came on, looking very hipster with his thick-rimmed glasses and perfectly sculpted manbun (please make this trend stop people). Spazzkid’s set consisted mainly of somewhat slow, dancey electro stuff. I wasn’t a huge fan of this set mainly because most of the songs he played were hard to dance to. There was usually no steady rhythm with which you could move to. Additionally, about halfway through his set he turned into some sort of radio host. He said distracting stuff into the microphone between each song. “New shit,” “Shout out to Porter Robinson,” “Shout out to Ta-Ku,” “New stuff right here.” I swear he must have sent a shout out to each least seven different artists. He did do some random singing that I found went well with the tracks he was playing and was fairly entertaining. However, all in all, I was not heartbroken to see him leave the stage.

Then Giraffage took the stage. He was humble as hell, speaking really quietly into the microphone: “hi guys….” pause for applause, “my name is Giraffage” another pause for applause, “I’m gonna play some music for you” and then he got into it. I, as well as many others in the crowd, was very happy to hear him play a lot of his older tracks, most of which were off of the “Comfort” album. Thankfully he did not follow in Spazzkid’s footsteps and blurt random crap into the microphone; he let the music do the talking. His set had enough groovy songs to get people dancing, only ever interrupted by build ups and drops. He played a couple of really old EDM tracks that were popular like seven years ago. I wasn’t super into this but I guess other people were. I have to admit that the bass was definitely not loud enough on the speakers, or perhaps the treble was too loud, but either way there were some sounds that were just too abrasive and some drops that just didn’t slap hard enough.

His set ended after about an hour, and then after leaving the stage momentarily, he was summoned by the crowd for an encore, which he utilized to play his Janet Jackson remix of “Someone to Call My Lover”. This is my favorite Giraffage track so naturally I was pretty stoked when he played it. After the song ended he received another well-deserved round of applause and the show was over. I enjoyed myself, and it seemed that other people did as well. I would see him again if given the chance.


Harrison MacDonald

image



Check out more music and news from Rainy Dawg Radio @ RainyDawg.org!

Rad Report–come with me and join the Manatee Commune

image

The music created by Manatee Commune is like a gust of wind that breathes life and energy into you as you walk down the street on a cold winter day  (similar to the ones we’ve been having in Seattle this last week). It’s the kind of music that exhales only positive vibes into anybody who takes a listen. When I first heard these beats I felt myself inhale a rush of emotions, which cannot be produced by anyone other than the incredible Grant Eadie—the creator and member of Manatee Commune. 

Described by Eadie himself as “chillwave, bedroom electronic, [and] rainy goodness,” Manatee Commune’s music is really unlike any other. There aren’t many artists producing such relaxing, yet intriguing types of music that can induce such an intense experience. The ethereal sounds within Eadie’s music bring out this feeling of awe that’s hard to describe, but is similar to the sensation of having climbed a mountain and having meditated on the summit. The idea of “the sublime” comes to mind, the concept of something completely awe-inspiring and stupendous—this is exactly how I feel when I play a song by Manatee Commune.

While definitely fitting into an electronic genre, I think of Eadie’s music as mostly experimental and trancelike. The most interesting and coolest part of many of these songs is that natural sounds are incorporated into them, which are definitely a reminder of the Pacific Northwest and Seattle specifically (where Eadie is from and currently resides). This gives the music a very relatable and homey feel to it that is applicable whether you’re on that grind studying for finals next week, or whether you’re trying to ease your mind and get some good sleep.

Although I feel like it’s remarkably easy to connect to Manatee Commune’s music through soundcloud and bandcamp, I’m really excited to be able to experience these rad rhythms live on December 3rd (tomorrow)! The show is actually FREE and is presented by our very own Rainy Dawg Radio in UW’s Ethnic Cultural Theater. I, myself, have yet to experience Manatee Commune live, and have heard that it’s an unbelievable experience. I hope to see you all there so we can enjoy the breathtaking work of this fantastic artist together.