Tag Archives: emo

Basement – Album Preview

England’s Basement
are releasing their first new album in four years and the alternative rock
scene is buzzing with excitement. The band went on hiatus in 2012 after the release
and supporting tour of their last full-length, Colourmeinkindness. Since then, they’ve released just one EP, 2014’s
Further Sky.

The five-piece from Ipswich,
England blends pop-punk, emo, grunge, and hardcore. Their sound can switch from
angry and head-pounding to ambient and wistful at the snap of a finger. My
personal favorite song of theirs encapsulates this perfectly. The tune starts
out with vocalist Andrew Fisher
crooning about someone who is regrettably no longer in his life before quickly
turning into a hardcore jam.

Three singles have been released in
anticipation of the new album, Promise
. The first single and title track of the album picks up nicely right
where Colourmeinkindess left off. The
bass break halfway though the song just slays. 

The next single, “Oversized”, is
a slightly slower, softer, and more melancholy tune. It doesn’t jump out at me
like some other songs in their discography, but it’s solid.

The third and final single, “Aquasun”,
is easily my favorite of the bunch. The chorus is a little more poppy than
anything they’ve done in the past, but at the same time it just feels like a
classic Basement song. The bridge and outro are so chill. I love it. “Aquasun” also features the band’s first music video, directed by their very own guitarist, Alex Henery.

will be released January 29th, and it will absolutely
be worth a listen if you prefer your emo with some bite to it.

RJ Morgan

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Album Review: Foxing – Dealer


Moving. That’s the word that comes to mind upon listening to
Dealer, the second full-length album from
St. Louis’s Foxing. The band had a lot
of hype to live up to after making a strong debut with 2014’s The Albatross, and this new record
delivers in every way imaginable. I won’t hesitate to call it my favorite album
of 2015.

This record is moving in a couple of different ways. The
lyrics, which are nothing short of fantastic, will move the listener
emotionally. Vocalist Conor Murphy and
bassist Josh Coll pull no punches,
diving headfirst into a number of difficult and uncomfortable topics throughout
Dealer. The lead single from the
album, “The Magdalene”, explores the antagonistic relationship between the
teachings of Catholicism and sex. “Indica” is perhaps the most heart wrenching
song on the record, as it details Coll’s personal struggles with PTSD stemming
from his time spent serving in Afghanistan. Lines like “[and] it breaks my mother’s heart to know
I came back broken” are brutally cathartic.

The music is just as moving as the lyrical content. The
songwriting here is top notch. Foxing have clearly mastered the art of
post-rock crescendos. Tracks like “Weave” and “Eiffel” take the listener on a
journey, eventually building up to goose bump-inducing climaxes.

The musicianship is tight too. Foxing’s rhythm section keeps
songs like “Laundered” grooving along. The guitar-work on Dealer is particularly interesting. On many songs you might not
even notice it, as the guitars sort of hide in the background building texture
instead of sitting in the forefront. You can hear this, as well as some
beautiful piano, on “Night Channels”, my personal favorite song off the record.

I’d say the biggest improvement over The
is the vocals. Murphy demonstrates much more control, as he
strains far less on this record. He nails some beautiful falsettos throughout
the album too, like on “Glass Coughs”. The male/female harmonies on songs like “Redwoods”
are just killer.


Dealer is an
incredible album. Check it out if you’re into post-rock, emo, or indie rock. It’s
emotionally draining, and I mean that in the best possible way. Foxing are
currently co-headlining a US tour with The
World Is a Beautiful Place & I Am No Longer Afraid to Die
and are being
supported by English math-rockers TTNG.

RJ Morgan

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