Hey, hey, hey, hey friends. Sometimes it’s good to acknlowledge oldies as goodies.
So let’s just talk about Milky Chance.
A German folk duo with reggae and electronic music influences made up of Clemens Rehbein
(vocals and instrumentals) and Philipp Dausch (production and DJing),
Milky Chance is badass. Their album, Sadnecessary,
released just last year in October, has 11 tracks that you will either love or
hate. I don’t really think there’s really an in between with Milky Chance. They’re
chilled out dance pop, they’re a German folk jazz duo. It’s hard.
Chance,” a more upbeat tempo track is the song that made it for Milky Chance,
is catchy with a dance beat of synchronistic claps, funky bass, and on- beat
drums. The vocals are more harmonious, and the -lyrics instantly just get
anyone to groove, with Rehbein crooning, “And I want you/We can bring it on the floor/You’ve never danced like this
before/We dont talk about it/Dancin’ on do the boogie all night long/ Stoned in
paradise, shouldn’t talk about it.” It’s chill, but it’s a boogie song with an
electro-tech vibe finishing out the song.
Rehbein has a
very distinct vocal style, and production wise, the two create this blend of
folk, reggae, and pop with almost this electronic aspect thrown in there for
kicks. “Flashed Junk Mind” and “Stunner”
on Sadnecessary are some easily
the most relaxed tracks on the album, delivering beautiful broken up rhythms
and scratchy, raspy vocals. Quickly, you
learn to discover the aesthetic of Milky Chance and you wonder if their sound
will become repetitive and old. But then there’s tracks like “Becoming,” that
instantly give you vibes of old Southern jazz, mixed with indie folk, and
you realize there’s no way Milky Chance can bore you.
The best track of the album is easily “Down by the River.” Rehbein’s scratchy croons of his lyrics of “Down
by the river, I
was drawn by your grace/ Into tempest of oblivion and to the Lovers place"
overlaying some rhythmically guitar melodies.
It’s probably a song that is the most pop on the album, but has good rhythm and sound.In comparison to “Feathers” and “Sweet Sun” has a sense of dissonance and non-conforming rhythm. It’s free-flowing, it’s a song you listen to when you just don’t care anymore.
I’m not going to lie, I definitely don’t listen to these
guys for their lyrical creativity. It’s lacking a little in that department. It’s
their instrumental rhythms that I love, and I can admit, I love the sound of
Rehbein’s raspy vocals, reminiscent to me of The Tallest Man on Earth. These guys have already gotten big, but
if you’re fan of vocally distincty Gotye, or the instrumentally dreamy XX, you’ll like this German sound.
They’re on tour this year, so if you have tickets already to
see them somewhere throughout the U.S., then you’re a cool cat. Boogie to “Stolen
Dance” for me.