New Release Watch: Made in Heights

The West Coast duo consisting of former wedding singer, Kelsey Bulkin, and local Seattle-based producer of Blue Scholars, Sabzi, released the single “Slow Burn” on Tuesday.  It’s the second single off their upcoming album (out May 26th) Without My Enemy What Would I Do. And I’m a little disappointed.  

I want to start off by saying Made in Heights is an amazing group. Attempting to label their sound as a whole proves difficult, seeing as they have yet to accept any one genre themselves.  Continuously welcoming suggestions from fans, the current official description includes: mythical filth, pop fiction, beauty slap, goon lit, artisanal (c/t)rap, and west coast gothic. To put it as simply as I can, they are known for pairing soulful vocals with crisp electronic beats and atmospheric soundscapes.  At times even incorporating elements of rap into their bright and ethereal sound, Made in Heights weaves an intricate and special sound under the ever-growing umbrella of synth-pop. The only way to truly experience the sound is to hear it for your self, something I highly recommend.

Slow Burn turns its back on this complexity of genres and heads straight for the dance floor.  Let me get one thing straight – this track is completely infectious and a solid dancy-synth-poppy song.  The track begins with a catchy synthesized staccato baseline with Kelsey’s simmering vocals drifting atop. By the end, snapping and groovy instrumentals layer in, creating an intoxicating, sparkly-smooth pop track. I would be lying if I said I didn’t bob my head to “you give me that burn, burn, burn, burn, burn”.  It’s received good reviews from several sources and is now one of their most-listened to songs on Spotify, it just isn’t what I was hoping for.

Listen for yourself in the stream below:

It might be a personal taste issue that turned me off the new single, seeing as the airy female vocals and snappy dance beat of Slow Burn kicked in some post-traumatic stress from my days working in retail.  Once you imagine a song bursting from the cheap speakers of a former employer at the mall, it’s hard to listen to it without feeling a little bit guilty.

It also could be the high expectations I hold for the duo, set by their stunning previous work. Ever since first hearing "All the Places” and “Wildflowers” off of their 2012 self-titled album, I’ve been craving more.  Even their opening act for TOKiMONSTA I attended in LA last October reflected their original aesthetic I adore, the pair performing synchronized 60’s backup singer dance moves throughout the set. I just hold them up to a higher creative standard than what this newest track has produced. With sporadic releases and no single website to find their collective work (scattered throughout Soundcloud, Spotify, Bandcamp and their website), I was overjoyed to hear about the new album coming out in late May.

Now I’m just hoping that this single follows the rule of singles, and is the lone shamelessly-dancey track of the album; the rest hopefully following more in suit with the innovative sounds I’ve come to expect from Made in Heights.

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Cassie Lynch

Rainy Dawg Turns 12: Isaiah Rashad @ Birthday Fest

Rainy Dawg Radio is throwing a tantrum! After 12 years of feeling brought down by the man, we’re ready for our final years of pre-teen excellence. THIS FRIDAY, our favorite bands are setting up shop in Sylvan Grove to celebrate our terrible twelfth birthday (we’re soooo old)!

If you haven’t already, you can RSVP via our facebook event! There you can find updates before and during the show, including posts about food, fun and free swag. For example:

 

 

If phantasmagorical frybread isn’t enough, there will also be music! Lots of music… including:

Isaiah Rashad

Wampire

One Above Below None

Naked Giants (RDR Birthday Battle winner!)

Easy Eating by Naked Giants

SNUFF REDUX

Toy Kingdom EP by Snuff Redux

Richie Dagger’s Crime

Collection of Singles 2012-2014 by Richie Dagger’s Crime

While you’re listening, our favorite clubs and organizations will be there as well:

1. Live Painting by UW Hip Hop Student Association!

2. Merch and more for sale by CTPAK Records!

and of course…

3. FIRE Native American street tacos by Off The Rez!

So come check it out on FRIDAY MAY 15th • 5–10pm

Where? SYLVAN GROVE THEATER

How much? FREE!!!

Rainy Dawg Radio, Arts & Entertainment and ASUW are happy to have such fantastic performers present on our behalf

xo come party

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DJ Desman

 

Naked Giants Take the Spot: Rainy Dawg’s 1st Annual Birthday Battle

Following the Daily’s coverage on Tuesday, the directors of ASUW’s Arts & Entertainment and Rainy Dawg Radio chose the Naked Giants as the winners of our first ever Birthday Battle!

As the champions, the band will be one of our openers at the 12th annual Birthday Fest, May 15th at Sylvan Grove!

The band put on a phenomenal show, presenting music from their dynamic repertoire. In case you missed it, check out a preview of what’s to come from the Naked Giants upcoming performance:

Easy Eating by Naked Giants

You can check out all of their music on the band’s bandcamp which includes their debut EP, Sit Down.

The UW-based band consists of Grant Mullen on guitar and vocals, Gianni Aiello on bass and vocals, and Henry La Vallee on drums and vocals.

“Grant and Henry having been playing together for many years, when Gianni joined the band in the summer of 2014, Naked Giants became what it is today. They recorded their first EP in 2014 and you can listen to it here! Have a great day and enjoy who you are!” – from their bandcamp.

Congrats to these up-and-coming rock stars! We can’t wait to see what you’ll surprise us with next. To stay in the loop, be sure to follow them on facebook!

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DJ Desman

 

Back from the Dead: New Crystal Castles

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October 8, 2014 was a dark day for Crystal Castles fans. Stories with titles such as “Crystal Castles call it quits” saturated our newsfeeds as we sat in a corner wailing along with Not In Love and Vanished while eating copious amounts of ice cream.

No? Just Me? Okay.

Anyway, the pure despair beset upon me by the reports of Crystal Castles’ demise served only to enhance the state of pure bliss I was in the morning of April 16 when I awoke to a passive aggressive message from Ethan Kath accompanied by a Soundcloud link.

The message yielded a response from Alice Glass the next day and Kath later redacted most of the passive aggression, but that drama isn’t what’s important. There’s new Crystal Castles!

The track is called Frail and it’s signature Crystal Castles. It’s heavily distorted and is one of those tracks that melds into the background perfectly when doing anything to a beat, with just enough vocals to give you something to key into without drawing too much away from the instrumentals.

Speaking of the vocals, those on Frail are provided by someone referred to only as “Edith”. Though, they’re virtually indistinguishable from Alice Glass’ due in large part to abundant distortion.

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Overall, it’s a solid track, but it doesn’t stand out too much when compared to the rest of their discography. You can listen to it on Crystal Castles’ Soundcloud, linked above.

With Ethan Kath releasing new music under the Crystal Castles moniker and Alice Glass set to release new music in the coming months, it’s an exciting time for Crystal Castles fans. Only time will tell if their split was better for listeners or not.

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Garrett M

New Album: Jaapur – Organic

Jaapur’s latest release starts out as a series of digital noise. Its momentum and tones feel like a throwback to the over-dubbed days of 8-bit remixes. A series of high and low pass filters add dynamics to the track, which make “Double Much.aac” an excellent introduction to the eclectic (yet satisfying) Organic.

The second track, “Conclusion.txt” starts out quietly as it, like the other songs on the album, plays off of the various computer file-naming conventions. Bass-heavy and trance-like, the contrast between synths and snares provides a basis on which to build a vibrant system of sounds. The melody alternates between instruments, each subsequent variation adding to the last. Towards the middle of the track, the rhythm becomes increasingly danceable, each instrument battling for its turn in the spotlight.

Following the quick-to-end instrumental that came before it, “Effigy.jpg” traces the line between highs and lows. Each synthetic instrument stays within its chosen scale – the unique sounds finding their individual places in the track. Various voices interrupt the flow, interjecting with plays on the name of the song. Although the bass line leaves something to be desired, the catchy chorus makes this track one of my favorites on the album.

The album continues in various forms, the tracks in themselves progressive as they build along with the broken pieces of the same theme. An occasional rap-track, featuring iamlogan and (most likely) Jaapur himself, can be found on the album – the flow, slow to match the tempo.

From disco beats to trance suites, Organic takes us back to a time before heavy-hitting bass lines ruled the boiler room. Be sure to take a good listen to the standouts (embedded below), “Akebono.flac” and “But Do You Know” which features Sarah Rain, Jaapur’s IRL sister, on vocals.

Organic by JaapurOrganic by Jaapur

Listen to the album and GET IT FOR FREE on Jaapur’s Bandcamp. To stay up to date, check him out on Facebook.

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DJ Desman