Gabriel Garzón-Montano Injects France and Colombia into American Neo-Soul

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You might not know his name, but it is likely that you will recognize Gabriel Garzón-Montano’s voice. Garzón-Montano was pulled into the spotlight after Drake sampled his track “6 8". But he is determined not to let that define him. “I don’t want to be that guy that got sampled on ‘Jungle’,” he said, “I don’t want that to give me my value”.

I think those concerns have been effectively erased with the release of his full-length debut Jardín. As the primary vocalist, instrumentalist, and composer for Jardín, there is no doubt left about this man’s talent.

Music became part of Garzón-Montano’s life from an early age. Gaining the foundations of classical training from his mother, he learned violin as a child before moving on to guitar, drums, bass, and piano. His resulting musical career has incorporated his experiences with urban electronic and hip-hop, as well as influences from his French-Colombian heritage.

It’s actually quite a feat to locate Garzón-Montano’s sound on the wide map of his influences. I would place it somewhere between chill funk and neo-soul, balanced with a touch of psychedelia and a hard penchant for groove. On Jardín, this has culminated in a luxurious ode to life, beauty, and romance. The layered vocals and lush instrumentals across each track are irresistible.

Opening with “Trial”, Jardín eases the listener in with soft harmonies laid across a restrained string performance. The next few tracks build up to soulful vocals from Garzón-Montano, punctuated by the funky rhythms of “The Game” and “Crawl”. From this point onward, Jardín somehow feels like its own microcosm. It’s minimalistic at times, yet eerily moody in a world that seems very much separate from ours. Garzón-Montano is quite aware of this. He closes the album with the gentle, soothing melody of “Lullaby”, perhaps as if to delicately deposit the listener back into reality.

I’m very impressed with this release. The intricacies and details in Jardín seem to indicate that we can expect more great things from Garzón-Montano. He is certainly surpassing his time in the spotlight as “the guy that got sampled on ‘Jungle’”. He is making his own name for himself, and I look forward to what he will bring us in the future, perhaps with a bit more polish if nothing else.

Excellent for fans of: Jordan Rakei, Hiatus Kaiyote, The Internet, D’Angelo

More from Gabriel Garzón-Montano: SoundCloud / Bandcamp / Facebook / Twitter

-Emily Tasaka

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Quick, what’s cool? JUNGLE

We should kick it with Jungle.

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So these guys are not what I usually cover, lots like Doja Cat. They’re
funky and psychedelic and have this element of retro, disco dance pop, but they’ve
got soul. This isn’t all natural acoustic, it’s very artificial, but they’ve
got these reminiscent elements of other funky co cats like Electric Light Orchesta,
MGMT,
the Bee Gees, and maybe even Prince.

It’s hard to categorize. They are hard to put into a box. What do I want to say? Indie electro R&B? Modern
soul? I don’t you know, you decide for yourself.

“Time,” a track that I particularly like on
their 12-track debut album, Jungle
(which released just this past July), is on the lighter dance pop side of their
album.  I think their best part is their
chorus of  “Say it again/Just hold on tight/Don’t let in,
yeah/I’ll run alright/Don’t let me/Oh just let it out,” but not for their
lyrical creativity. This song, like every other song on the radio is computer
generated, filled to the brim with pinched falsettos, slap bass, and crazy
instrumentals. It’s euphoric and filled with funk.

These guys also just make great music videos!

And for the most part, that’s how a lot of this album works. I’m not
getting the sense that these guys really dig their fake horns and electric
funk. They like getting people to want to get up and groove. And  I dig that. What they do lack, however, is a
sense of creativity. Lyrically, it’s very repetitive, and even composition
wise, “Busy Earning” is so similar to “Time,” as is “The Heat” and “Platoon.”
It gets to all be the same.

Is this bad? Yes and no. Jungle is new duo, made up of childhood friends, Tom
McFarland and Josh Lloyd-Watson. They’ve been kicking it since they were nine
years old. I can sense the chemistry, and I’m glad the two are working
together, I like their vibe. Creatively, they have a long way to go,  but they’re old enough producers to realize
that the debut album that they do have is solid and work their way up

We do get a little something different when we hit tracks like “Drops” and “Julia.”
There’s some more bass in there, and instead of just dance funk, it’s gets a
little soulful and mournful. I love when “Drops” hits, “I’ve been loving you
too long.” I’m getting some tastes of Paolo
Nutini
-esque blues in there, and I like the turn from dance pop to some
serious soul.

“Julia,” is the best track on their debut in my opinion and I think a track
they put some serious effort it. I love the overlaying, faded vocals, that
goddamn organ playing in the background, and the rhythm they’ve got going. It’s
a little darker, it isn’t really a song to groove to, but it’s a lovesick,
lovelorn track where I can fully see where these guys are going. They’ve can do
downbeat jazz.

And their video, choreographically is amazing. These guys like modern
dance. Check it.

They’re disco, and they’re not really disco. They’re funk and soul and
electric. They’re party music at times, and then at other times, they’re jams
you have existential conversations to. They start their South American tour soon and I’m bitter I won’t be in Santiago, Chile jamming out, but I hope when they release some new grooves, I’ll be with them live.

Check out their album on Spotify. It’s a solid debut, they’re solid
Londoners. And they make solid music videos, which is what’s important, right?

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Ariana Rivera



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