Tag Archives: kari faux

Album Review: Matt Martians’ The Drum Chord Theory

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The Internet blew me away with Ego Death in 2015. The album was cohesive, masterfully produced, and showcased the talents of each individual in the group. Now, two years later, the members of The Internet have decided to take a break from their group act and pursue their solo careers. The first of The Internet to release a solo project is Matt Martians, the group’s keyboardist. His first solo album, The Drum Chord Theory, can easily be traced back to the sound of his collective, but he also manages to venture into areas unknown and take the listener on a psychedelic-albeit scattershot-journey.

One of the most striking characteristics of the album is its dependency on the drums. Despite Martians experience with the piano, the drums play a larger role in driving each song forward and maintaining the melody (if the album title wasn’t already a giveaway). That’s not to say that Martians doesn’t utilize his piano skills or experiment with other instruments. The instrumentals on the album take a hefty amount of risks, most of which pay off. A majority of the time they take precedence over Martians’ singing, playing long before and after Martians sings. One song in particular, “Where Are Your Friends?” sounds like it was intentionally recorded in a factory, with the instrumental miming the sounds of hammers and whistles. The sound of that would normally be annoying, but Martians uses the sounds to add a playful mood to the song. Others don’t pay off as well, like on “Alotta Women/Useless”, where the piano chords overwhelm the other instruments and Martians’ repetitive lyrics wear themselves out.

This brings me to one of the significant issues with The Drum Chord Theory. Martians depends too much on the instrumentation to create a quality song. Each unique instrumental is paired with lyrics that are too sparse or shallow to derive any meaning from. Take the song “Found Me Some Acid Tonight”; Martians repeats “I found me some acid tonight/And we gon’ trip to the other side” before the song abruptly cuts off. This is not the only instance where Martians is caught repeating himself, and it continually dulls down the album to the point of boredom.

Martians also lacks a concept to attach to his album. He mostly croons about love and his search for the perfect companion, but never really connects these songs together to create an overarching theme. Concept albums aren’t a mandatory staple of the music industry, but it helps to have an idea that the artist can work around and build off of for an album. J. Cole comes to mind when thinking about this, as he did a fairly nice job with a concept on his latest album 4 Your Eyez Only, choosing to base the album off of his friend’s death.

Despite the issues with The Drum Chord Theory, Martians has released a solid album. Numerous songs include inventive beat changes that force the listener to stay on their toes. The groovy bass and guitar lines sound reminiscent of Thundercat and Tame Impala. Martians’ features absolutely crush their appearances (Steve Lacy and Tyler, the Creator produce; Syd, Steve Lacy, and Kari Faux feature). The lyrics, however, are nothing to ride home about and hang on the verge of redundancy. The absence of a concept also makes the album impossible to comprehend as one single work. The Drum Chord Theory doesn’t break the stratosphere, but it’s not supposed to. This album has proved Martians’ potential, and that we should be prepared for what he has to come. Listen to The Drum Chord Theory here and catch The Internet at The Neptune on March 17.

Archie O’Dell

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Women and Alternative Genders in Rap

Kari Faux

Kari is super self-aware and it shows in everything she makes. She gained internet traction after working with Childish Gambino; he remixed her song “No Small Talk” on STN MTN and she featured him in her video for “Gahdamn”.  Even so, she mocks internet fame on her track “On the Internet”: “Doing the most for a little fame / But one thing remains the same / When you log out you’re still a lame.” Her videos are stylistic and sarcastic too and definitely worth checking out.

Junglepussy

Junglepussy hits on all the subject matter that a strong modern woman cares about – self-love and care, looking good, and keeping lame dudes away from you. Her flow is sexy and smooth yet commanding. Her new album Pregnant with Success is a continuation of her unique style. She also has one of the best Twitter accounts of all time IMO.

Babeo Baggins + Barf Troop

Babeo Baggins is a genderfluid member of the rap group Barf Troop. The group has gained recognition in the press most recently for being seen with Drake and some other members of the OVO crew. Babeo’s latest album Positive highlights their cheeky and playful style. With a flow that reaches lightning speeds, Babeo’s clever lyricism will blow you away.

Mykki Blanco

From the start Mykki’s music has addressed gender, sexuality and queer culture. She’s made a name for herself with her bold, aggressive sound. She’s also made headlines for coming out as HIV positive, being best friends with the OG riot grrl Kathleen Hanna and reportedly pursuing a career in investigative journalism. In any case, she continues to make waves in the rap scene.

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Chloe Hagans



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