The Ani Joon Review: Taylor Swift hits 2014 with a 1989 Banger (Video Review)
Rainy Dawg Radio’s resident vlogger reviews TSwizzle’s newest album: 1989. Check it out above ^^^
Despite the brutish nature of their name and their look, King Tuff were anything but at Neumo’s Crystal Ball Reading Room this past Wednesday, October 22.
Front man Kyle Thomas, bassist Magic Jake and drummer Old Gary Goddard burst onto the stage with cut-off, patched up jean jackets and a positivism that permeated the entire room. For their opening song, a wall of distortion and feedback transformed into the title track of their latest album, Black Moon Spell. In the interim between the first few tracks, Thomas and Magic Jake continued a banter infused with good vibes, at one point mentioning how honored they were to be performing in Seattle, the “home of so many influential artists”.
Magic Jake and Kyle Thomas rock with attitude
The love flowed throughout the night, with all members of King Tuff beaming permanent grins at their ecstatic fans song after sloppy song. As the crowd got rowdier and the mosh pit’s circumference increased, King Tuff’s energy skyrocketed, climaxing during the supremely-catchy “Bad Thing”. Although the musicality wasn’t much to be amazed at, the constant upbeat energy and no-holds-barred attitude of its members allowed King Tuff’s performance to shine with grungey, shredding, lo-fi mastery.
Take a listen to their new album (embedded below):
(Photo credits to Alex Ostenberg)
Naomi Punk is a post-punk band from Olympia, WA. But to classify them as such does not do their music justice, as it doesn’t seem to fit into any particular mold. It has to be listened to be understood, and even then I sometimes notice myself discovering new layers to their sound with each time I play one of their records.
It may be cliché to say that an artist’s music grows on you, but in the case of Naomi Punk it’s just true. When I first listened to their debut The Feeling on a recommendation from a friend, I was unconvinced. The album sounded thrown together, its melodies buried under distortion and its lyrics indiscernible. But as I listened to it again I began to notice myself humming along and my foot tapping more and more enthusiastically.
Once I grew familiar with the sound of the album it became contagious. Naomi Punk had already been playing together and touring for a couple years before The Feeling was recorded, and the live energy of the band can be felt throughout the album. The songs all have a unique character to them, and yet on the whole the album feels very solidly like a singular conception. Apart from two tracks based around a synthesizer, the songs are driven only by two guitars and a set of drums, and sound like they could have all been recorded in the same take. This gives The Feeling a familiar and cohesive sound that you learn to appreciate more with each listen.
The band’s follow up, Television Man, was released in August of this year and has a very similar quality to The Feeling. While not as immediately rewarding as their debut, Television Man has many layers of its own and is at times equally engaging. After two solid releases, Naomi Punk feels like a band with a ton of potential and one that would be an incredible live experience. After all, the band has its roots on stage, not in the studio.
Picking out a standout track is difficult because my favorite from them changes practically every time I hear one of their albums, but a good place to start would be “The Spell” off The Feeling:
Editor’s Note: Naomi Punk’s website can be found here: http://naomipunkmusicgroup.com/
They don’t have any music there, however, so you’re best off just heading to their record label’s page, Captured Tracks, or their Facebook
Power-punk has returned in the city of Budapest! Catchy riffs and anthem-like choruses fill the spaces in-between WHAT ON EARTH’s dominating drumline. While Tamás Dalmáci pumps through angst-filled pop lines, guitarists Viktor Mosolygó and Ákos Kocsány build off each other’s classic chordal structures.
Since forming in January, the band’s been writing and recording quite the collection of kick-ass tracks. I had the pleasure of hearing their first single in advance (embedded below), and even in its un-mastered form, a smile came across my face as Ádám Darida’s bass drum caused my legs to shake in raucous rhythm. Sum 41-esque guitar parts mix with alternating melodic tones that call back to the early 2000’s as our ears bled in our parents’ garages. I’m certain that the coming weeks will bring more broken bottles and hearts as philosophic lyrics mold with woes of ex-girlfriends past.
For all that and more, check out the ensemble’s first official song, How We Live (embedded below – after the jump)!
If you liked it, check out their Facebook, Bandcamp and SoundCloud to stay up to date in a country that’s just 9 hours away. And come back every week for more from Budapest and the surrounding area… I’ll be here until December to bring you another look at a world of music that I’ve never seen or heard before!