Tag Archives: music blog

Bleachers

I remember back in 2014 (or sometime around then) when Fun. announced they’d be going on hiatus, I was pretty distraught. Personally, I am a pretty big fan of the band, and I’ll patiently stay hopeful for their glorious return. It wasn’t soon after their hiatus announcement that I discovered Bleachers, whose front man, Jack Antonoff, was actually the drummer for Fun.! This was madness to me, but my love for Fun. extended to Bleachers, and I fell in love. Who put him on the drums? This guy can kill vocals! (Not that Nate Ruess couldn’t, God bless – check it)

Since the release of their first album in 2014, Strange Desire (which housed familiar hits like “I Wanna Get Better” and “Rollercoaster”) the artist had only released Terrible Thrills Vol. 2 way back in 2015. This album was a simple reprise of all the songs from the original Strange Desire, but sung by some pretty prominent female vocalists (Sia, Tinashe, Sara Barellies, MO, Elle King – to name a few). 

And now, in the magical year that is 2017 we have been blessed with all new music from Antonoff. The first of two singles (so far) “Don’t Take the Money” is somehow worth the three (two?) year wait. First, I’ll say that it definitely feels like summer. It also has a pretty wicked music video to accompany it, it’s pretty weird with a fun little twist – but, that’s not unusual for Antonoff considering previous music videos. Check it: 

Next up, we’ve got the latest release, “Hate That You Know Me”, which feels a bit like “I Wanna Get Better” as far as lyrical composition, but definitely departs from the more rock/punk feel that “I Wanna Get Better” throws out. Personally, it’s my favorite of the two to be released so far. I feel like it’s that track that everyone has been trying to write, but no one has done it just right. It takes the classic cliche “hate that you know me so well..” that you find in a lot of songs, and expands it into an entire track. 

Just right off the bat, the two songs really feel pre-2000′s with a nice modern twist all blended together with Bleachers’ mixed bag of rock, pop, and a little bit of heavy piano ballads. I’m excited for what’s to come – and you can bet you’ll find a follow up post.

The upcoming album “Gone Now” holds a lot of potential, and it’s three (two?) years in the making. You can find it dropping on June 2nd – get it while it’s hot. No doubt it’s gonna dominate the summer, ya know, sorta like “I Wanna Get Better” did? 

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Zach Krieger

Flor:  A Better Opener

So, a few weeks ago a few friends and I went to go see Hayley Kiyoko live. The performance was at the wonderful Crocodile in downtown Seattle (although the roof was leaking??) and we were excited to see the show. We got there praying there wouldn’t be an opener, we just wanted to get straight to the Hayley Kiyoko part of the night. But there was an opener, of course, the upcoming band Flor. To our surprise, Flor blew us away with their music and stage presence – they rocked our socks right off. Surely, we thought, Hayley would top them by leaps and bounds – this wasn’t the case. Hayley Kiyoko was fine, she got the job done but all in all she was a beautiful mess. The show felt unprofessional, and I’d describe her stage presence and remarks thereof as a long Tumblr text post I did not want to read. So, this blog is gonna be about Flor, because I fell in love with them. Sorry Hayley.

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Although Flor has just only started touring and doing large live performances, they still managed to impress us. The lead singer, Zach, was adorable and so awesome and kind to the audience. He had sort of a cute and quirky way of getting us pumped up. After their first few songs he thanked the audience, “Thank you guys for applauding, you really didn’t have to. It could’ve been totally silent, and I just wanna thank you guys for the applause”. I hope that in the future, if Flor gets big, that he doesn’t lose this thankfulness to a jaded look at fame and performance.
All four members of the band had a stage presence that played off one another, they worked as a cohesive organism that made awesome rock sounds. Not only was their stage presence just fantastic, so was their music. The indie and high voice of the singer was the perfect complement to the airy indie rock music flow they had going on. They did a really cool rock style performance of Adele’s “Send my Love (to your new lover)” that you can watch here:

All in all the concert rocked, and it was really worth it to see Flor – oh, and Hayley Kiyoko was there too. I ended up buying this sick hat from the Flor merch, I liked them so much.

<3 Zach Krieger

Check out more music and news from Rainy Dawg Radio @ RainyDawg.org!

Show Review: Shlohmo in Seattle

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I’ve
been a Shlohmo fan for years now,
so I bought tickets to his show as soon as he announced a tour. That was way back around
the start of the year.

I whiled away the months
leading to the show by revisiting his impressive discography. I’ve long
considered his Laid Out EP to be a
masterpiece.

In March, Shlohmo dropped his new album, Dark Red. The
album was a stunning departure from his previous releases. But it still had all
those classic Shlohmo elements, like menacing basslines and warped notes.
Definitely an album worth checking out.

Shlohmo’s electronic
music isn’t the dance-y kind. His music reminds me of dark basements and scary
nights and pain and zombie apocalypses. It’s pretty great. That’s why I was
surprised when I started dancing at the show. Everyone was dancing. It was
probably because Shlohmo’s basslines were even more immense on Neumos’s bumping sound system. Shout
out my ear drums for not exploding.

I love it when electronic
artists bring out a band. Shlohmo brought out a drummer and a guitarist and
also occasionally wielded a guitar himself.

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The light show was crazy
intense. The lights and the music complemented each other beautifully, surging
and receding in harmony. At times, shrouded by the spotlights, Shlohmo seemed angelic.

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He mostly played cuts off
his new album, but didn’t forget fan favorites like Places and Later. Later is my favorite Shlohmo song ever.
I cried sweet tears of joy when it came on. Well, maybe not. Nonetheless, I was
super happy.

About an hour into the
set, Shlohmo and the band just ran off the stage without warning. “Is that it?”
I wondered.

Hell no. The lights flared
up and Shlohmo ran back up on stage. He grabbed the microphone and reassured us,
“That was a joke. This is real life now!” He played us one last amazing song.
Then, unfortunately, it was over.

My one beef with the show
was that the two openers, Purple and
Nick Melons, had sets that lasted
about an hour each. That’s a bit long, as openers go. I was restless, standing
on sore feet waiting for Shlohmo to come out. But the openers were pretty tight
so it was cool I guess.

Definitely a night to
remember.  

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Pranav Shivanna

Throwback Thursday: Mikky Ekko / HAERTS Show (Ani Joon Review)

Something you may have missed over the break… Rainy Dawg Radio’s Ani Joon is sonically enlightened by Mikky Ekko’s performance in Seattle.

A local performance review (featuring audio and video from the show)!

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Ania Kamkar

Weekly Digs: Ted Lucas: The Om Album

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Ted Lucas got his start as a studio musician and member of various folk/rock bands around the Midwest. A classically trained guitar player, Lucas also studied blues, country, jazz, and contemporary music and drew inspiration from the likes of Ravi Shankar to develop a beautiful sound of his own. In 1974 he released his only album, a self titled effort recorded largely in his attic studio that has come to be known as “The Om Album”.

The two sides of the album are quite distinct from each other. Side A consists of a gorgeous medley of six folk songs, while Side B contains three longer, more instrumental jams. In the first six tracks, Lucas develops beautiful and familiar melodies with his perfectly soft guitar playing and warm, open voice. In a way that makes you think Bon Iver must be a fan, Lucas crafts intricate harmonies with himself that settle themselves in your head all day but never wear on you; his music is comfortable.

Get a taste of the music by listening to a track from Lucas’ self-titled album:

The lyrics of his songs are simple and direct, smiling out of the songs at you. In the album’s opener he sings “It’s a plain and sane and simple melody/brings a song to you, brings some joy to me”, setting the tone for the album as a whole. The next three tracks, “It’s So Easy”, “Now That I Know”, and “I’ll Find A Way” are all intricate and touching in their own way and as you’re listening you keep expecting a let down, like how can it stay this good??

Then Lucas comes at you with “Baby Where You Are” and “It’s So Nice To Get Stoned”, tracks that are irresistibly excellent. Side B showcases Lucas’ guitar talent, especially on “Sonny Boy Blues”, a seven minute long rail against over drinking, and the closer “Love & Peace Raga”. The raga is played in a traditional Indian style; intricately picking it’s way along for nearly eight minutes, weaving together melodies, and creating a gorgeous tapestry of sound.

This album is an absolute gem from start to finish, and while it sadly never got the attention it deserved, I get the sense that Ted Lucas was not a man concerned with material gains. So take a few minutes and give it a listen, you won’t be disappointed. Yoga Records put out a reissue in 2010 which can be found on iTunes or Amazon.

Here’s another track from the reissue to keep you company:

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Jamie Coughlin

Rad Report: Modest Mouse isn’t being too modest!–reissuing of two albums

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Yo all you Rainy Dawgs out there! This is the Rad Report with blogger Rad Rebs, and before we get down and dirty with some awesome new details about Modest Mouse’s reissuing of their first two LPs, we’re about to get slightly philosophical so bare with me. Its been said that “bad news comes, don’t you worry even when it lands good news will work its way to all them plans” (Modest Mouse, “Float On”). This resonates with me as I float into a new world, full of changes and new experiences. On a broader and wider spectrum, it’s only human to wonder when our luck will take a turn for the better—into the utopian-esque world that we tend to imagine. No matter which point we are at in our lives, it seems to be inevitable that we will face a wave of challenges; at any given moment we may experience the “bad news” that Modest Mouse refers to, but just as often we find ourselves in a state of euphoria in the next instant.

We can relate to Modest Mouse in many ways as being their fellow Washingtonians—the lead singer (Isaac Brock) originally grew in Issaquah just east of the UW campus. Although growing up poor, Brock formed the band in the early nineties and received a lot of luck with their first two LPs released in 1996 and 1997 respectively.

We’ll all be considering ourselves pretty lucky starting on October 28th, when Modest Mouse’s This Is a Long Drive for Someone with Nothing to Think About is reissued on vinyl—and AGAIN on November 4th when The Lonesome Crowded West is reissued. In a world where digital has become the norm, there still seems to be an agreement that listening to an album on vinyl has a charming sound unlike anything else. When we step back and take a moment to realize that this is the first time in over ten years that these albums have been available on vinyl, I’m predicting a pretty serious rush on these reissues. Can’t wait to get my Modest Mouse on vinyl–as Isaac Brock might sing, good news is definitely working its way to all them plans.

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Rad Rebs

More info below:

http://www.rollingstone.com/music/artists/modest-mouse/biography

http://impressionofsound.com/index.php/news/490-modest-mouse-to-reissue-first-two-albums

http://consequenceofsound.net/2014/09/modest-mouse-to-reissue-first-two-albums-with-unreleased-music/

Artist Profile: Naomi Punk

Naomi Punk is a post-punk band from Olympia, WA. But to classify them as such does not do their music justice, as it doesn’t seem to fit into any particular mold. It has to be listened to be understood, and even then I sometimes notice myself discovering new layers to their sound with each time I play one of their records.

It may be cliché to say that an artist’s music grows on you, but in the case of Naomi Punk it’s just true. When I first listened to their debut The Feeling on a recommendation from a friend, I was unconvinced. The album sounded thrown together, its melodies buried under distortion and its lyrics indiscernible. But as I listened to it again I began to notice myself humming along and my foot tapping more and more enthusiastically.

Once I grew familiar with the sound of the album it became contagious. Naomi Punk had already been playing together and touring for a couple years before The Feeling was recorded, and the live energy of the band can be felt throughout the album. The songs all have a unique character to them, and yet on the whole the album feels very solidly like a singular conception. Apart from two tracks based around a synthesizer, the songs are driven only by two guitars and a set of drums, and sound like they could have all been recorded in the same take. This gives The Feeling a familiar and cohesive sound that you learn to appreciate more with each listen.

The band’s follow up, Television Man, was released in August of this year and has a very similar quality to The Feeling. While not as immediately rewarding as their debut, Television Man has many layers of its own and is at times equally engaging. After two solid releases, Naomi Punk feels like a band with a ton of potential and one that would be an incredible live experience. After all, the band has its roots on stage, not in the studio.

Picking out a standout track is difficult because my favorite from them changes practically every time I hear one of their albums, but a good place to start would be “The Spell” off The Feeling:

Editor’s Note: Naomi Punk’s website can be found here: http://naomipunkmusicgroup.com/
They don’t have any music there, however, so you’re best off just heading to their record label’s page, Captured Tracks, or their Facebook

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Jamie Coughlin