Artist Rediscovery: Sir Sly

Check THIS to start listening while you read

             Anyone
remember the song “Gold”? You know, released in 2013 – popular over the summer
that next year? No, well, unfortunately not many people I’ve talked to seem to
remember it. Clicking this might jog your memory, if
you’ve heard it before at least. The song was off the album You Haunt Me by Sir Sly, and it was a magnificent album. Sir Sly focuses on an
ambient, electronic “chill” pop sound mixed with some interesting vocals. The
band is a three-piece formed in California just back in 2012, so relatively new
to the music scene. You Haunt Me is
their debut, with 12 tracks, was released in 2014. I’ve been patiently awaiting
the release of a second album; but, it’s been three years and all I’ve gotten
is one single, “Expectations”, in 2016 and nothing since. I figure maybe if
they get more support they’ll be more apt to release some new music, so here’s
an artist rediscovery of Sir Sly.

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             If you’ve
heard Sir Sly, it because you found them through their most popular song,
“Gold”, which admittedly is a pretty sick track. A lot of the tracks on You Haunt Me feel very much like “Gold”,
with a sort of accusatory lyrical composition and an ambient electronic feel.
It’s the sort of music you listen to on a cloudy day (so pretty much everyday
here..). Like any angsty new band, the songs focus mainly on the destructive
end of a relationship, and the hindsight that comes with it. From tracks that
focus on self-doubt like ”Leave You, to tracks that blame the other person,
like “Found You Out”, we journey through every part of a relationship as it
ends. This album has it all; from fast paced and anger filled, to melancholy
and down-tempo.

             Sir Sly
takes advantage of metaphor, and employs the technique liberally throughout all
their songs. It kicks ass when coupled with the atmospheric feel of the whole
album. Not only that, but the unique twinge of the vocals completes the
electronic undertones that accent most of the tracks. Beyond the base
metaphors, the lyrics feel destructive and precise, they hit right where they’re
meant to – this band certainly is country but they know how to pull your
heartstrings. I’ve found that they express a lot of things about love that you
won’t find very often in music; the subtle doubts. Sir Sly doesn’t necessarily
focus on huge, glaring, problems that are visible on the surface of a relationship.
Rather, their music emphasizes things like pride or disloyalty (or other
personality traits) that leak into a relationship and poison it. Here are some
of my favorite lyrics:

“A taker and a giver / Oh I made you shiver
/ Couldn’t I deliver?”                    (Found You Out)

“I believed in you and then you feel apart/ You broke my trust, broke
my heart” (Nowhere/Bloodlines, Pt. I)

“I’ll be the bigger man while you act like you’re innocent / No matter
where you go, your lies will follow you” (Found You Out)

“I don’t owe you a single thing, not a God damn thing” (Gold)

If you don’t listen to Sir Sly then you really should. If you’re
ever feeling angry, sad, or just sorta existing, Sir Sly is the band for you.
They are fairly difficult to characterize, but they are similar to The Neighbourhood,
a slowed down David Guetta, or maybe more of a Bad Suns type vibe. As far as
where to start listening, I recommend “Found You Out”, “Inferno”, and “You Haunt Me”.
Thanks for the read! See you next week.


<3 Zach Krieger

Check out more music and news from Rainy Dawg Radio @ RainyDawg.org!

Album (EP) Review “Mind the Gap” by Raleigh Ritchie

Raleigh (like ballet) Ritchie (like Lionel) took fans by surprise when he announced the release of his new EP last November. The EP, Mind the Gap, was released on December 16th, 2016 and it’s devastatingly good. Raleigh Ritchie (real name Jacob Anderson) is newer to the music scene, having only just released his debut album You’re a Man Now, Boy earlier last year. Yet, he’s not an entirely unfamiliar face, fans of Game of Thrones might recognize him as Grey Worm, the leader of the unsullied. This is where I discovered him, looked him up one day because I thought he was cute and google let me know he had a few songs floating around at the time (thanks google). Gave one of his singles, “Bloodsport ’15”, a listen and I was instantly in love. It was fate. I’ve been a fan ever since and I am personally so stoked about the recent release of Mind the Gap which is what we are here to talk about.


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Start listening while you read: click HERE to go to Mind the Gap on soundcloud!


This EP is an organized clusterfuck of self-deprecation and heartbreak mixed with upbeat instrumental and fast paced lyrics, producing a fantastically odd dichotomy of feelings. The album has a sound that feels derived from R&B but somewhere along the lines it picked up heavy pop influences, with a light peppering of the occasional rap or spoken word. It’s not too much of a departure from his debut album (which I HIGHLY recommend you listen to), there’s a lot of similarities between the two pieces. Raleigh even said himself that he felt the EP was more of a bridge between his debut album and the next, rather than a totally independent piece. I won’t quote him on that because it was in a tweet from a few months back that I won’t even bother to search for. He tweets a lot. (One time, he favorited my tweet – but that’s a story for another time).

Something I love about the sound of this album is the deeper electronic feel with the background vocals. You’re a Man Now, Boy was very flowly and floaty in the background vocals – almost choir-like. Almost fantastical. Whereas Mind the Gap is mostly background vocals that are tuned bytes of Ritchie singing drawn out “ahs” or “ohs” (excuse my inability to quantify music). The subtle electronic qualities are pretty much thrown in your face in the first track off the album Motions, which begins with a brief audio of a Robot fight/break-up. We hear two Siri-esque voices argue about how they feel about each other, resulting in the end of their robot relationship. This persists through the song with brief one liners from either robot voice. It’s pretty rad, if I do say so myself.

Mind the Gap totals 5 songs: “Motions”, “Sicko”, “Liability”, “StraitJacket”, and “Unicron Love” (don’t ask me why its spelled like that – I have no idea). Each song is unique, but they all flow very well together. My favorite example of this is the transition between “Motions” and “Sicko”; “Motions” ends with the Male robot saying “I love you”, only to have the female reply “I know, but you are sick” – and then sicko immediately begins with “Maybe I’m just sick”. Hell yeah. Well, I mean, that’s pretty sad and heartbreaking lyrically, but 10/10 transition. Speaking of lyrics, Ritchie gives the listener a lot to think about as far as sanity and heartbreak go. “Motions” and “Unicron Love” both focus on two different sides of a relationship. Since we know that Motions isn’t the brightest view on love, we can probably guess how “Unicron Love” portrays it.

“Sicko”, “Liability”, and “StraitJacket” all focus more on an introspective view. “Sicko” plays off “Motions” and outlines the chaos of a mind trying to diagnose an internal sickness. There’s a lot of self-doubt and confusion present in the lyrics of this song, ending in the simple conclusion of “Maybe I’m just sick”. Liability is all about feeling bad for yourself. The musical composition of this song is diverse and beautiful, it ranges from flowy and floaty (both technical terms) to harsh and brittle (if that’s a word people use for describing music). The song feels like it’s been written out of a place of anger and defeat, it screams “why me?!”. I’m a sucker for this song, self-pity, now that’s something I can rock to. The song ends with a beautiful, whispered, “oh, fuck off” directly at his own thoughts.

Now, we arrive at “StraitJacket”, my favorite track off the album – this one is just an Ode to Mania, a sweet sweet embrace of the craziness that is our mind. It’s a fast paced, rollercoaster of a song, and there are no seatbelts. Every time you think you’ve reached the climax (not sexual) of the song, you find yourself surprised by even more faced paced energy. At the real, destructive, climax (might be a little sexual) of this song you can practically feel Ritchie screaming in your face. It also showcases one of the best things about Ritchie’s music; his sexy voice and crazy good spoken word influenced rap style. The song ends with a jarringly slow verse of spoken word that asks the listener if any of us (especially Ritchie) are sane; “Fight amongst the foot soldiers, but the war is in my mind”. Not only is the song super fucking cool, there’s a super fucking cool music video that accompanies it. Check it below, it really adds to the song and shows what Ritchie is trying to say with it (basically, that he’s just crazy).

This EP is phenomenal, and you bet I’ll be listening to it pretty much once a day. The title of the EP (Mind the Gap, if you somehow forgot) is really validated by the content of the songs. It’s about watching out for the mental leap in logic from sanity to insanity, it’s fitting for how much attention the tracks give to being not-so-sane.  Raleigh Ritchie is an amazing and talented new artist that deserves a lot more attention than he gets. On the plus side, he’s so unknown that he’ll favorite/retweet your tweets if you tweet at him. But seriously, check him out, between the amazing album art, magically sexy vocals, and make-you-think lyrics there’s nothing not to love. Make sure to check out not only the Mind the Gap EP, but also his debut album You’re a Man Now, Boy! Thanks for reading, I’ll see you back here next week for the rediscovery of Sir Sly

Zach Krieger

Check out more music and news from Rainy Dawg Radio @ RainyDawg.org!

Live Show Review: I Can’t Get Enough of Stanaj

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By the time 7:00 PM rolled around on Tuesday night, the line of concert-goers waiting to be let into the Showbox stretched around a corner and over block and a half. I talked to nearly everyone waiting in line before the show, and most of them weren’t aware of who R&B artist Stanaj was other than being the opener for SoMo. By the end of the night, I think the singer made quite the impression on the crowd as he showcased his good humor and impressive voice in a relatively short set of 7 songs.

Stanaj opened with “Goddess”, one of the four songs released on his first EP, The Preview.  The song started him off strong and showed many clueless members of the audience what they were in store for with him, as he belted out the lyrics “Love beyond the sky / When heaven and Earth collide” in falsetto during the song. He was able to perfectly set the tone for the night, which was decidedly sexy, and display his wide vocal range at the same time.

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The singer took a moment to address the crowd in front of him in between songs to talk about food poisoning and being sick, both of which he experienced the day before the show. He drew laughs from the audience when he went on about using throat spray for his voice due to his recent illness, and commenting that he wasn’t sure who he’d be kissing tonight because the throat spray tasted so awful. He kept up similarly playful “banter” with the audience throughout his time on stage, and this worked to create some rapport between him and the crowd and made his show, at least for me, pretty enjoyable even when he wasn’t singing.  

Stanaj continued the show with two more songs from his EP. “Romantic” was the slowest song of the night, and it worked nicely with the crowd’s energy. He also sang a personal favorite of mine, “Ain’t love strange”, which is really something else to hear live. I couldn’t get enough of his super smooth voice and emotional intensity on stage as he belted out “Maybe baby, I’ve seen crazier things / Stranger things have happened, how strange would it be / If I told you I believed you were made for me?”.

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He gave a sneak peek at a new song called “Meant to Be”, a slow, bittersweet ballad that included beautiful lyrics like “it must have been our names written in the stars”. Stanaj also did a cover of “I Can’t Make You Love Me” while playing the piano, a song which he said was one of his favorites to play. He has a cover of the song on YouTube, where he first started posting covers and was able to initially gain popularity through the platform. He humorously told the crowd, “It gets me in the feels bro” after finishing the song, which helped to lighten up the heavy, heartsick feeling permeating the venue when he finally finished the emotional song. He finished the set with the slightly more upbeat “Sleep Alone”, which is also on his EP. It served as a nice finale and definitely pumped the crowd up for SoMo’s following set.

Stanaj waited by his merch booth to meet people after show, and took pictures with fans as they waited to exit the venue. Though he might not be an influencer yet, his music is already catching the attention of fans and established artists alike. He has already been seen in circles with big music names like Drake and Chris Brown, and I can say after seeing one live show, I cannot wait to see what he has in store. My one complaint about the singer? He has only four songs out. I’ll definitely be watching out for new music from artist Stanaj. 

http://www.stanaj.com/ / YouTube

Stanaj- Ain’t Love Strange

-Kenzie Wamble

Check out more music and news from Rainy Dawg Radio @ RainyDawg.org!

Show Preview: SoMo’s The Less Stress More Love Tour Featuring Stanaj

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The upcoming show is on November 22nd at the Showbox, Seattle and is part of R&B and soul artist SoMo’s current U.S. tour. He’s touring with singer Stanaj, and the show will hopefully be an amazing showcase of the two R&B singer/songwriters. Both artists are signed with Republic Records, and have released new music lately. SoMo recently released a single, “First” in August 2016, and also released another single “Control” earlier this year.

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Stanaj had a lot of hype before releasing his first EP, The Preview, in August 2016. He’s gained much of his notoriety leading up to the actual release of his original music through his popular YouTube covers and talk of collaboration with big industry names like Drake.

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Personally, I’m mostly looking forward to Stanaj’s incredible vocals, and I’m extremely curious to hear him live. If The Preview is any indication of how the show is going to go, I will not be disappointed.

http://www.officialsomo.com/  /  Instagram  /  Twitter  /  YouTube  

http://www.stanaj.com/  /  Instagram  /  Twitter  /  YouTube    

-Kenzie Wamble

Check out more music and news from Rainy Dawg Radio @ RainyDawg.org!

On Campus Fan Activation Event: Banner Signing for “Shine” by Mondo Cozmo

November 16, 2016

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ASUW Arts and Entertainment set up a successful UW On Campus Fan Activation event today in Red Square for artist Mondo Cozmo. The event was a banner signing for their new single, “Shine”. The banner read: “Everything Will Be Alright If You #LETITGOMC” and had space for passersby to write what they wanted to let go. By the end of the signing, the banner was full of a variety of responses, from “Harambe”, “chem” and “Nickleback” to more serious things, like “fear”, “stress”, and “doubt”. During the event, people commented that writing down what they wanted to let go was “therapeutic” for them. Finding the banner seemed to be good timing for many students currently feeling the stress of midterms and the nearing end of the quarter. Several people posted to twitter with the hashtag #Letitgomc and took photos with their contributions to the banner.

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“Shine” has been gaining praise and popularity since its release in September. Republic Records posted an artist spotlight on Mondo Cozmo on September 16th, 2016. The article included praise for “Shine” and said, “Mondo Cozmo challenges everything we know about music and genres, while creating music that everyone can enjoy.”

You can find more info on Mondo Cozmo on their website.

“Shine” music video by Mondo Cozmo 

-Kenzie Wamble

Check out more music and news from Rainy Dawg Radio @ RainyDawg.org!