Young musicians are awesome. They bring so much passion and energy and creativity to their projects, and I honestly think that’s great, becausewhen you’re listening to their music, you can almost feel that.
That being said, meet killer newbies, Hollow Wood.
I saw these guys open a couple of weeks ago at a Kris Orlowski show and I was blown
away. Originally from Boise, Idaho, these guys do strive for honesty and
purity, with their bio stating they work to “express music in an honest way.”
Two EP’s right now, both 6-track records. I can only run
through the highlights of each, but I just want to say, that for the most part,
what these two EP’s collectively do for me is just fully demonstrate how mature
these guys are at artists. They’re not very old, they’re all 18-22 in age
range. And they’re from Idaho.
But it’s good.
Their earlier EP Seasons,
which was released just this past summer in August has some of my solid tracks. “Forget me Forgotten” plays it up with some
mournful intro piano chord progressions, and the lead vocals coming in “One
more time across the empty sea/Promise me you won’t sleep.” Then bass comes in,
with underlying vocals and we get to the harmonies. So…Hollow Wood’s lead
vocalist, is a guy with a cool different sound in his vocals. It’s folky, it’s throaty,
it’s different. Solid drum rhythms, harmonica, violin, and some bass thrown in
for the quick instrumental and we just fall into this mournful state. It’s a little
depressing, maybe, but it’s introspective. This is a kind of song that really
makes you sit. Make you write, makes you think.
Their later EP, Wallflowers
has one of my favorite tracks of theirs, “Little Bird.” It’s soft, with sweet
guitar melodies creeping in under the intro vocals. Then bam! Listen to the way
belts “Oh don’t you cry, no don’t you cry, without me by your side/I gave you
my all, I gave you all, but that world was just way too strong.” The
juxtaposition of this strong, harsh, hoarse chorus with the sweet first and
second verses accompanied by simple guitar melodies is brilliant. The rhythm of it all keeps you on your toes to build up
to a fantastic bridge of grand instrumentals. Ending the track with resounding
chorus and a strong drum set brings it home. It’s the best track they have.
Other tracks on both EP’s are also great. Check out “Memento
Mori” on the Seasons EP if you want a
sense of indie folk and soft harmonies. There is a definite sense of unity
within the band in this track however, especially as they build up throughout the
chorus. What is best about Hollow Wood is not only their originality, but the
fact that all the vocalists have such distinctly definite sounds in their
voices. Yet they make it mesh.
They remind me of a young Typhoon in other tracks like “Wallflower”
on the Wallflower EP where they have more synchronicity among the vocals, while keeping it soft and unique.
These guys like soft guitar harmonies, they like moody vibes, but they’re not
afraid to jam it out like they do in “Families” on the Seasons EP.
It’s rough trying to give you a taste of everything, but for
the most part, Hollow Wood, for being young, is good. They’re tryin to keep it
100 with us, and I dig that. Check em out.