Rad Report: A digitized croc for the night!—Digitalism’s Seattle Show 11/4

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Moelle and Tüfekçi, duo of the remarkable Digitalism, walk onto the stage behind a screen of white drop down strings that hang from the ceiling. Complete with lights beaming upon the threads and the performers as well, the duo assumes each of their roles behind their computers and synthesizers. They appear nearly digital—looking as if they are part of an LED light screen.

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This is the scene that I walked into at Digitalism’s show at the Crocodile on November fourth. Standing in the crowd of people that were all there to experience the good vibes that were radiating through the room didn’t feel like your average concert; it felt more like a full experience between the extreme electronic sounds, the smooth vocals, and the amazing light show which seemed to become more intense throughout the night.

After their first album, Idealism, and their Pogo EP were released in 2007, the German duo’s success took off. I’ve personally been into digitalism for a while since I heard Pogo shortly after it was released and instantly heard brilliance beam out of my headphones. It had been a while since I’d heard that Digitalism was going on a US tour, so I was stoked to have this opportunity to be able to see and write about them. I’m not interested in all electronic music, but unlike others of similar genres, Digitalism adds unique themes within their songs. Much of their music actually has vocals, which are preformed by Moelle—unlike most other electronic artists, he even sings on stage at live shows.

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At the Crocodile, I found myself mesmerized by the duo’s initial strong electronic build with the synths. A few songs into it, I became even further impressed as Moelle walked over to his vintage microphone and began adding suave vocals. I noticed that many of the songs had a retro feel to them, just as the microphone did. This really added an exciting atmosphere to the music and took the normal electronic feel from average to extraordinary.

The show was taken to another level as the music came to a halt after an intense build—Moelle and Tüfekçi walk off stage as the crowd goes wild for an encore. The lights begin to flash and the two once again stroll over to their synths. The drops their indietronica beats as Moelle walks over to the old-fashioned mic for the last time of the night, allowing his vocals to resonate toward the audience. For the last couple songs (ending with their most popular “Wolves” and “Pogo”), the crowd is enthralled by the funk vibe seems to rush out of the performers. “Pogo” is a bright song with creative, yet simple, lyrics—and what a great song to end with. One line from the song, “Yeah, woohoo, there’s something in the air” seems to capture the entire feeling of the night. As soon as Digitalism walked nearly weightlessly onto stage, there was definitely a different feeling in the air that continued until they played their final beats.

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Rad Rebs

Rad Report: Up and coming artist – Caroline Rose at The Vera Project

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I don’t usually follow country artists, but when I listened to Caroline Rose on her Soundcloud I was drawn to a vibe that her voice seemed to carry. Saturday, October 11th Caroline Rose walked into The Vera Project and onto the stage with a bang, wearing her head-to-toe red outfit as she swung her guitar over her shoulder. She puts her lips up to the microphone and softly spoke in her comforting and sparkling voice, “Thanks for not being at the Beyoncé concert tonight. There’s not actually a Beyoncé concert so don’t be alarmed.” The crowd laughed and started tapping their feet to her music as it began to fill the room. Despite the modest crowd, she started off by singing with the kind of voice that opens up a room to positive energy and good vibrations in a way that is impossible to not enjoy.

The liveliness didn’t stop with her music—her sarcastic and naturally hilarious nature continued to come out as she joked throughout the night. Though as the show proceeded, each song seemed to tell a different story of her personal journey. She paused from her innately jokey demeanor as she brought up her debut album I Will Not Be Afraid, which came out in August. This album—a culmination of six years of her work—contains some older songs from when she was only eighteen years old, and some newer ones that currently relate to her life as she pushes twenty-five (a birthday that she admitted to having mixed feelings on). But regardless of the extended period of time that it took to release this album, Caroline Rose has clearly made it a long way since she started in Vermont years ago!

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This shift in her music from older to newer was even apparent throughout her set Saturday night, as the genre of her music seemed to shift a bit. Her original sound of “vintage country” (a term she coined herself) began to transition into a somewhat southern blues with clear folk and rock influences. Now this was more my kind of music to jam to! Just after she leaned into the microphone one more time and whispered “it’s going to get loud in here” the energy was turned up to a whole new level. The rest of the night was full of even more dancing and excitement than it had been before as the crowd danced to Caroline Rose’s unique mix of music and verve that filled the room.

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Rad Rebs