Oscar winner Juicy Jwrecked my soul at The Neptune Theater last night. Oh yeah, yes, it’s true, Juicy J and Leonardo DiCaprio have the same number of Oscars.
Project Pat brought out Nasty Mane and they performed some
booming bass music with predictable yet catchy lyrics.
Belly came out next. Never heard of him before. He does boast a bit of a belly though, which could point to the origins of his stage name. His
real name, according to the internet, is Ahmad. Further perusal of the internet
reveals that Belly was born in Palestine. Diversity! Yay!
Okay, that’s enough with the facts. Here’s more opinion:
Belly’s set was damn good. I now follow him on Spotify. His song with Travis
Scott bangs confirmed.
Then the stage was empty for a while. Anticipation hung in
the air thicker than the sweat—and there was a butt ton of sweat.
Juicy J is a distinguished dude with an enviable career—Three 6 Mafia
and an Oscar then a TGOD comeback with Bandz a Make Her Dance then a really
good album and now mixtape after mixtape of roof rattlers.
Anyways he stormed on stage, scarf draped over his head just like my mom wears a dupatta. Instantly I declared him my newest role
model. My list of role models was 29 pages long on Microsoft Word. Now it is 30.
I’ll be honest—I don’t know that many Juicy J songs. But
that didn’t stop me from leaping around like an electrified monkey. Bass on The
Neptune’s speakers exploded my brain into dripping mush—Beautiful. I still
haven’t recovered. At one point Juicy played a bunch of Three 6 Mafia numbers and
I knew the words so I screamed them and it was great.
Times like those, watching awestruck as an Oscar winner
screams down at you “YOU SAY NO TO DRUGS, JUICY J CAN’T,” you wonder what life
is really all about. Because maybe, just maybe, all you have to do is keep doing
your thing—whatever that thing may be—and you’ll eventually win.
Juicy J, legend, you inspire me to be the best possible me. Safe travels.
Born Ricardo Valentine, the southern singer has been creating for years but just recently began receiving attention with his breakout singles ‘PRBLMS’ and ‘Free’ released in early 2016. 6lack (Pronounced Black) aims to create a withstanding name for himself with murky beats, grimy vocals, and intimate lyrics. These characteristics are heard throughout ‘Free 6lack’ as Valentine contrasts past relationships and personal challenges with his desire for mental freedom.
After years or being locked in a faulty contract, 6lack felt he could finally express creative freedom with his latest release. The self-described monochromatic vocals backed by swampy soundscapes and stripped-down instrumentals reflect the conflicting emotions experienced by the young artist. In an interview with Fader magazine 6lack says, “ You look at it right now, you see monochrome, you see moody, you see for the most part somebody who is still in the process of figuring shit out,” in regard to his musical style.
‘Free 6lack’ opens with a stripped-down, nefarious track titled ‘Never Know’ which sets the overcast mood of the album and gives Valentine room to celebrate his hard-fought success. Other standout songs include intimate ballads like ‘Luving U’ and ‘Gettin Old’ plus an addictive remix of Future’s ‘Perkys Calling.’ 6lack aims to connect with fans through relatable stories of overcoming personal challenges and difficult relationships. His powerful messages of pushing for freedom pair seamlessly with his haunting beat selection creating a delightfully dangerous album. If you enjoy the murky, monochromatic R&B sound emerging out of cities like Atlanta and Toronto then I highly recommend indulging in this album and watching 6lack’s video for his hit single, ‘PRBLMS,’ below.
The Austin, Illinois native brings hope and energy to his neglected neighborhood with poetic lyrics and organic production dripping with neo-soul.
2016 has been a year filled with soulful projects stemming from young Chicago artists, including; Noname’s ‘Telefone’, Mick Jenkins’ ‘The Healing Component’, and of course Chance the Rapper’s explosive ‘Coloring Book’. Saba, an independent poet-turned-rapper, has consistently collaborated with each of these artists, and on his new ‘Bucket List Project’ (Released October 27) he establishes his role in Chicago’s progressive music scene. This project is the follow-up to the 22-year-old’s 2014 mixtape, ‘Comfort Zone,’ which highlighted his creative storytelling and impassioned beat selection.
A bucket list typically consists of goals and aspirations one dreams of achieving in their lifetime. On his new project, Saba pushes the importance of utilizing ambition through lyrical anecdotes and scattered voicemails regarding the bucket lists of various friends and fellow musicians. Luscious production provided by frequent collaborators Phoelix, Cam O’bi and MonteBooker serves as a perfect backdrop for the album’s poetic reflection on West-Chicago’s repressed neighborhoods. Tracks range from warm and intimate to blunt and intense, but remain focused on inspiring optimism in “the part of the city that they don’t be talking about” to quote the fiery track, ‘Westside Bound 3.” Saba addresses the influences of childhood experiences and relationships in songs like ‘Church / Liquor Store’ and ‘Stoney’ while demonstrating his determination to chase his dream. By speaking on the obstacles obstructing his hometown’s community, Saba finds beauty within the struggle and poetically reinforces the prospect of a brighter future on tracks like ‘Most’ and ‘California.’ All in all, the vibrantly vivid ‘Bucket List Project’ encapsulates the importance of fulfilling goals and living life to the fullest while reflecting on the difficulties of developing in a harsh environment. I highly encourage curious readers to give this innovative project a listen, you won’t be disappointed!
Monday night I had the privileged of experiencing Chance The Rapper’s uniquely brilliant Magnificent Coloring World Tour inside the cavernous WaMu Theater. Mountainous black curtains lined every inch of the venue instilling a rich sense of mystery. Despite the flowing crowds, I felt alone in the space-like complex. This feeling was short-lived as I was quickly surrounded by masses of colorful people pushing me towards the illustrious ‘front row’. Nevertheless, the vast darkness of WaMu’s towering walls created an alternate dimension isolating the stage and the crowd.
The show opened with Chance’s electrically awkward collaborator Francis Farewell Starlite of Francis and the Lights accomponied by Chance’s go-to producer, Nate Fox. The Oakland, CA native has been on the alt-pop radar since 2007 and recently dropped his debut studio album Farewell, Starlite! in late September. Francis possessed a very soft-spoken demeanor despite his musics’ jagged edge and funky synthesized melodies. He consistently addressed the well-being of the restless crowd and didn’t serve as much of a hype man until the end of his set. I reluctantly began to enjoy his shameless dancing and oddly groovy style due to his undefeated positive attitude. The man was having fun. It then dawned on me that the true purpose of Francis’ modest performance wasn’t to hype up a restless fans, but to set a peaceful precedent for an enjoyable evening.
After Francis left the stage the show encountered a brief 30-minute delay coupled with a preset playlist containing only Drake and Future. This pause disrupted the concert’s energy momentarily but any shadow of a doubt was obliterated with Chance’s immediate energy.
Excitement rushed through my veins as the Broadway-esque red curtain rose to reveal the wondrous stage set. Singing animatronics, colorful supersized crayons and Carlos the spirit guide/lion/mega puppet transformed the stage into an animated fantasy land. Chance opened the show performing classic hits off his breakout mixtapes 10 Day and Acid Rap including songs like; Cocao Butter Kisses, Brain Cells, Favorite Song, Long Time and Juice. Each song exploded with spirit backed by Social Experiment members Chi-town producer Peter Cottontale on the keyboard, Stix on the drums, and the incredible Donnie Trumpet toting his famed bugle. Brilliant multi-color lights and textural animations illuminated the once colorless auditorium adding to “Magical Coloring World” experience. After taking his fans on a trip down memory lane, Chance rerouted and began performing his latest masterpiece, Coloring Book, in its entirety. Carlos the Lion acted as Chance’s mentor, guiding him to push the message of the gospel-inspired album. Loving ourselves. The animatronic choir conveyed the setting of a southern-baptist church as Chance’s soulful-jazzy beats served as a perfect medium for his advocacy of God, peace and happiness. I even teared up as Chance spoke personally on the importance learning to love yourself and his current emotional struggles. For his finale Chance brought Francis back out to perform their song (and one of my favorites off Coloring Book) Summer Friends with an extended outro courtesy of the Social Experiment team leaving the crowd with a sense of musical wonderment. I was absolutely blown away by
part rap-musical part spiritual service the concert turned out to be. If you have yet to experience Chance the Rapper’s music you can find his latest project here. I have also provided links to his previous mixtapes and Soundcloud if you’re interested in exploring this innovative artist’s past work. Chance’s music certainly changed my life and it could change yours too.