3rd Annual Birthday Battle

Want your UW student band* to have an opening slot at one of our Birthday Fest concerts on April 18th? Here is your chance to make that happen!


Send in your music to asuwrdgm@uw.edu with subject line “Battle” to be entered to win a slot at the Battle of the Bands, and if you win that, you’ll be opening for national/international touring talent!

Come watch the battle at the Ethnic Cultural Theatre at 7:30pm on Tuesday, April 11th for FREE! Also keep an eye out for the announcement for Birthday Fest! You can RSVP here.

Open to all • 4/11/17 7:30pm • Ethnic Cultural Theatre

*At least one of the group members must be a current UW student.

Album (EP) Review “Mind the Gap” by Raleigh Ritchie

Raleigh (like ballet) Ritchie (like Lionel) took fans by surprise when he announced the release of his new EP last November. The EP, Mind the Gap, was released on December 16th, 2016 and it’s devastatingly good. Raleigh Ritchie (real name Jacob Anderson) is newer to the music scene, having only just released his debut album You’re a Man Now, Boy earlier last year. Yet, he’s not an entirely unfamiliar face, fans of Game of Thrones might recognize him as Grey Worm, the leader of the unsullied. This is where I discovered him, looked him up one day because I thought he was cute and google let me know he had a few songs floating around at the time (thanks google). Gave one of his singles, “Bloodsport ’15”, a listen and I was instantly in love. It was fate. I’ve been a fan ever since and I am personally so stoked about the recent release of Mind the Gap which is what we are here to talk about.


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Start listening while you read: click HERE to go to Mind the Gap on soundcloud!


This EP is an organized clusterfuck of self-deprecation and heartbreak mixed with upbeat instrumental and fast paced lyrics, producing a fantastically odd dichotomy of feelings. The album has a sound that feels derived from R&B but somewhere along the lines it picked up heavy pop influences, with a light peppering of the occasional rap or spoken word. It’s not too much of a departure from his debut album (which I HIGHLY recommend you listen to), there’s a lot of similarities between the two pieces. Raleigh even said himself that he felt the EP was more of a bridge between his debut album and the next, rather than a totally independent piece. I won’t quote him on that because it was in a tweet from a few months back that I won’t even bother to search for. He tweets a lot. (One time, he favorited my tweet – but that’s a story for another time).

Something I love about the sound of this album is the deeper electronic feel with the background vocals. You’re a Man Now, Boy was very flowly and floaty in the background vocals – almost choir-like. Almost fantastical. Whereas Mind the Gap is mostly background vocals that are tuned bytes of Ritchie singing drawn out “ahs” or “ohs” (excuse my inability to quantify music). The subtle electronic qualities are pretty much thrown in your face in the first track off the album Motions, which begins with a brief audio of a Robot fight/break-up. We hear two Siri-esque voices argue about how they feel about each other, resulting in the end of their robot relationship. This persists through the song with brief one liners from either robot voice. It’s pretty rad, if I do say so myself.

Mind the Gap totals 5 songs: “Motions”, “Sicko”, “Liability”, “StraitJacket”, and “Unicron Love” (don’t ask me why its spelled like that – I have no idea). Each song is unique, but they all flow very well together. My favorite example of this is the transition between “Motions” and “Sicko”; “Motions” ends with the Male robot saying “I love you”, only to have the female reply “I know, but you are sick” – and then sicko immediately begins with “Maybe I’m just sick”. Hell yeah. Well, I mean, that’s pretty sad and heartbreaking lyrically, but 10/10 transition. Speaking of lyrics, Ritchie gives the listener a lot to think about as far as sanity and heartbreak go. “Motions” and “Unicron Love” both focus on two different sides of a relationship. Since we know that Motions isn’t the brightest view on love, we can probably guess how “Unicron Love” portrays it.

“Sicko”, “Liability”, and “StraitJacket” all focus more on an introspective view. “Sicko” plays off “Motions” and outlines the chaos of a mind trying to diagnose an internal sickness. There’s a lot of self-doubt and confusion present in the lyrics of this song, ending in the simple conclusion of “Maybe I’m just sick”. Liability is all about feeling bad for yourself. The musical composition of this song is diverse and beautiful, it ranges from flowy and floaty (both technical terms) to harsh and brittle (if that’s a word people use for describing music). The song feels like it’s been written out of a place of anger and defeat, it screams “why me?!”. I’m a sucker for this song, self-pity, now that’s something I can rock to. The song ends with a beautiful, whispered, “oh, fuck off” directly at his own thoughts.

Now, we arrive at “StraitJacket”, my favorite track off the album – this one is just an Ode to Mania, a sweet sweet embrace of the craziness that is our mind. It’s a fast paced, rollercoaster of a song, and there are no seatbelts. Every time you think you’ve reached the climax (not sexual) of the song, you find yourself surprised by even more faced paced energy. At the real, destructive, climax (might be a little sexual) of this song you can practically feel Ritchie screaming in your face. It also showcases one of the best things about Ritchie’s music; his sexy voice and crazy good spoken word influenced rap style. The song ends with a jarringly slow verse of spoken word that asks the listener if any of us (especially Ritchie) are sane; “Fight amongst the foot soldiers, but the war is in my mind”. Not only is the song super fucking cool, there’s a super fucking cool music video that accompanies it. Check it below, it really adds to the song and shows what Ritchie is trying to say with it (basically, that he’s just crazy).

This EP is phenomenal, and you bet I’ll be listening to it pretty much once a day. The title of the EP (Mind the Gap, if you somehow forgot) is really validated by the content of the songs. It’s about watching out for the mental leap in logic from sanity to insanity, it’s fitting for how much attention the tracks give to being not-so-sane.  Raleigh Ritchie is an amazing and talented new artist that deserves a lot more attention than he gets. On the plus side, he’s so unknown that he’ll favorite/retweet your tweets if you tweet at him. But seriously, check him out, between the amazing album art, magically sexy vocals, and make-you-think lyrics there’s nothing not to love. Make sure to check out not only the Mind the Gap EP, but also his debut album You’re a Man Now, Boy! Thanks for reading, I’ll see you back here next week for the rediscovery of Sir Sly

Zach Krieger

Check out more music and news from Rainy Dawg Radio @ RainyDawg.org!

We the Music

Every movement
has its own distinct sound. Music helps capture the time and people of a
movement. It reveals who they are, what they believe in and expresses what’s on
their minds. 

Folk songs and
rock became platforms for anti-war sentiments during the Vietnam war, Hip-Hop
and rap were born from the inner cities of New York City highlighting social
issues over beats to get down to, punk and grunge were generations of young
teens resisting societal norms expressing their fears of a bleak future.

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Today we are in
the middle of yet another time of great change. A new movement born out of the
political and social climate is being created. It is my intent to share and
discuss some of the music that is being made and that is helping to define this
movement’s sound, the people’s sound. 

The first song I
want to highlight is the cover of the folk classic “This Land is Your Land”. It’s
a simple, timeless tune that grade school kids learn when they talk about
inclusiveness. Woody Guthrie wrote the song 77 years ago on February 23rd in 1940
according to this NPR article. It was written in response to “God
Bless America” which was a jukebox favorite in the 40s. As a frequent
hitchhiker, Guthrie developed a unique view on what was going on in the country
and it differed from the America portrayed in “God Bless America” leading him
to write the tune.

Countless
musicians have covered this alternative national anthem but one of the latest
bands to do so I think does one of the best versions. Chicano Batman debuted their cover of “This Land is Your Land” at
the end of January for a Johnnie Walker commercial. The Los Angeles band puts a
slightly psychedelic/rock spin on the classic tune. It’s got a synthesizer
going on giving it an element of funk and with a chorus in the background a
hint of soul. If you didn’t know what you were listening to you might have
thought it was a new hit on the Alternative charts.

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What makes
Chicano Batman’s cover especially important is what it represents. A Latino
band from East L.A. takes a classic American folk tune and puts their own spin
on it. The lyrics are sung in English but they slip into Spanish by the end
singing “Esta tierra es para ti y para mi,” the famous line “this land is made
for you and me.” It’s as much of a statement of resistance as it is about hope.

When our head of
state has declared their intention of creating barriers for people wanting to
make a better life for themselves and their families, this song becomes
undeniably relevant. The members of Chicano Batman come from both L.A. and
countries in Latin America. Without their different backgrounds their sound
wouldn’t be the same. When cultures collide it results in better art, new
perspectives and new ideas.  

Guthrie wrote “This
Land is Your Land” as he witnessed a side of America that was struggling during
the Great Depression, that didn’t have the blessing of God on their side. Today,
we aren’t going through a Great Depression but we are going through a time of
great division. “This Land is Your Land” sung by Chicano Batman reminds us with
the words of Guthrie that all people
of America that they belong too.

Chicano Batman’s new album Freedom is Free is out March 3rd. They play The Crocodile on Thursday the 23rd, tickets available here.

-Grace Madigan

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Jacob Banks heats up Barboza

There was nothing like soul-infused Tuesday night when Jacob Banks hit the stage at Barboza.
Watching flashes his fans a stunning white smile, while shyly saying “Hi, I’m from
London,” we felt nothing but warmth for the soulful artist as he sang a cover
of Corinne Bailey Rae’s infamous “Put
Your Records On.”

Originally from Birmingham, England, the British
singer-songwriter first became active in 2012, when he was the first unsigned
act to ever appear on BBC Radio 1 Live Lounge. Influenced by a multitude of soul,
R&B, and hip-hop, Banks first recorded his debut EP The Monologue, released in 2013, with his top hit “Worthy,” a popular
play on various stations. A tall, brooding man with a bright smile, Banks cites Jake Gosling, Bondax, and Knox Brown as some influences and reminds us of a combination of Benjamin
Clementine, Seal,
and Jack Garratt.
Soft smooth vocals always seemingly complemented by melodic piano, Jacob Banks
is crossing genres often acoustic singer-songwriter ballads, like tracks “Homecoming”
and “Hostage” on his EP The Monologue.
Yet, the man has range, both vocally and emotionally, demonstrated in “Something
Beautiful,” also seen on his EP The
Monologue.
On his newest EP The
Paradox
, Banks delves more into
soul and R&B, experimenting with melodies in his vocal range, seen in “Home,”
and “All Mine.”

Playing fan favorites from his newer EP, Banks succeeded at demonstrating
a mix of softer vocals and instrumentals in Unknown,” while demonstrating a
hard, grittier audible aesthetic in “Sink or Swim.” Highlighting the soul aspects
of his set list, the British artist catalyzed a complete feeling of union and
communal love, as the audience swayed in unison to “Home,” a song similar in
feeling to any calmer Stevie Wonder
track

a nice complement to the upbeat and diverse sounding track “Monster.”

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Finally ending his set with new single “Unholy War,” the
audience vibe completely shifted as we all came together and empathized together
with the emotion in Banks’ vocals as he glided on the stage and crooned chorus “Let
love lead you home, oh no/ Let redemption keep you warm.” And just as Banks climaxes
as he reaches as the height at the bridge taper off, the audience in parallel also
drops.

We stop, we sway, we close our eyes, and we dance as the
rest of the chorus plays out.

Jacob Banks has reached a new level of soul, and it’s dipping
into funk—and we’re sort of hoping he continue only to reach new heights with
his artistic creativity.

And if we can’t convince you with our words to fall in love
with Jacob Banks, just let his music persuade you himself.

-Ariana Rivera

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EP Review: Tuxedo’s Fux with the Tux

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PSA for all you dance and disco lovers: last month, Tuxedo quietly released new EP Fux with the Tux. The sharply-dressed duo of soul singer Mayer Hawthorne and Seattle hip hop producer Jake One seems to be riding the wave of 70s/80s revival in pop music. Many artists like Daft Punk and Bruno Marks have struck a balance between retro and fresh, and I think you’ll find that Tuxedo also fits into this category quite nicely. As with many throwback artists, Tuxedo’s long list of influences includes artists like Chic and Cameo, in addition to boogie, hip hop, and electronic music.

Fux with the Tux packs plenty of funk in only 10 minutes. The EP kicks off with its title track, jumping straight into a catchy beat and groovy synths. This song plays off of vocals from both Mayer Hawthorne and Jake One. Although a bit repetitive, it’s still a well-done cross between old-school funk and newer hip hop.

“Special” rolls in with more prominent percussion than the previous track. I love the bass in this song, and the vocal harmonies are a great highlight. If you liked Bruno Mars’ “Chunky", you’ll like this one. (I would also make the claim that “Special” is perhaps a classier(?) take on Mars’ message in “Chunky”.)

In its final song, the EP winds down with smooth slow jam “July”. The horns in the chorus are a great touch, and the background female vocals nicely accent Mayer Hawthorne’s crooning words.

Tuxedo is expected to release a full-length album later this year. Keep an eye out.

Emily Tasaka

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