This past Friday saw a hefty number of releases. Rather than attempt to write five or six album reviews this week and promptly self-combust, here are some mini-reviews of my favorite releases from last week.
Stormzy, Gang Signs and Prayer
I came late to the grime scene, but so far it has been merely decent. For those who don’t know, grime is a combination of electronic and hip-hop characterized by hard-hitting English MCs. Skepta’s Konnichiwa was the first full-length grime album I listened, leaving me slightly disappointed but curious about the genre. Stormzy’s new album, Gang Signs and Prayer, has proved that grime is a legitimate genre in the music industry and that it should not be meddled with. Stormzy delivers ruthless lyrics over raw, machine-like instrumentals, never wasting a breath. This album, unlike other grime projects, carefully balances the line dividing typical aggressive grime tracks and soft, stripped-back vocal tracks. Stormzy lends his singing voice on multiple tracks and impresses. Overall, a strong debut for Stormzy that puts an unconventional yet refreshing twist on traditional grime. Listen to Gang Signs and Prayer here.
Steve Lacy, Steve Lacy’s Demo
Two and a half months into 2017 and The Internet has already become very busy. They kicked off a tour last week and have already released three solo projects this year. Steve Lacy is the latest of the band to drop a project, following Syd and Matt Martians. Recorded entirely on his iPhone, Steve Lacy’s Demo sits at six tracks long (or short), and Lacy clarified on Twitter that the project is neither an EP or album, but a song series. Nonetheless, it’s lackadaisical style and lo-fi vibes provide a relaxing listen. Lacy’s guitar leads most of the songs, usually settling for a pairing with the drums or bass and not much else. The lack of variety seems daunting at first, but Lacy makes due with the tools at hand. Steve Lacy’s Demo is a short, sweet intro to The Internet’s youngest member, highlighted by his melodic vocals and lo-fi atmosphere. Listen to Steve Lacy’s Demo here.
Oddisee, The Iceberg
Oddisee continues to strengten his discography with his latest release, The Iceberg. His eleventh studio album tackles poverty, racism, and more ethical issues. He spits lyrics with sincerity and depth, quite possibly taking multiple listens to decipher. The instrumentals include bright horn sections; each song sounds like a crisp live rendition. The climax of the album occurs on “Like Really”, a low-key banger where Oddisee addresses everyday problems minorities face. The Iceberg proves to be another strong release in Oddisee’s ever-expanding discography. Listen to The Iceberg here.
Thundercat finally returns with what will most likely be an album of the year contender, Drunk. At 23 tracks long (only 53 minutes total), Thundercat croons about losing friends, anime, masturbating, cats, and everything in between. He takes what made Apocalypse great (increased use of singing) and what made The Golden Age of Apocalypse great (bass solos and instrumentation) and combines them on Drunk, effectively creating an explosion of clever production and sweet, delicious vocals. Most tracks, unfortunately, are short, but each is still strong enough to stand up on its own. There are a lot of features, too, each which contribute to the song exactly as expected (even Wiz Khalifa, which isn’t really a good thing). Thundercat’s eccentric, unique style plays to his favor again on Drunk, coming through with the best release of the year thus far. Listen to Drunk here.